A work in constant progress (and occasional regress).
Release Date:
September 29, 2024
Original Title:
The In Between
Alternate Titles:
Nepantla: El entremedio
Genres:
Documentary
Production Companies:
Ambiente Films
Catapult Film Fund
Chicken & Egg Films
Field of Vision
Hedgehog Films, Inc.
ITVS
Southern Documentary Fund
Production Countries:
Mexico | United States of America
Ratings / Certifications:
N/A
Runtime: 82
Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.
Assistant Dialogue Editor:
Cassandra Soto
Associate Producer:
Alyssa Esquivel
Colorist:
Ernie Schaeffer
Lucas Sylleros
Consulting Editor:
Bill Ross
Consulting Producer:
Jannette Napoli
Director:
Robie Flores
Director of Photography:
Robie Flores
Alejandro J. Flores
Editor:
Chloe Abrahams
Robie Flores
Editorial Staff:
Antonio Bribiesca Ayala
Executive Producer:
Carrie Lozano
Lois Vossen
Mix Technician:
Juan Antonio Pacheco
Music:
Camilo Lara
Demián Gálvez
Producer:
Kellen Quinn
Alejandro J. Flores
Sound Editor:
Mauricio Rodriguez Perez
Héctor Amaro
Alejandro Díaz Sánchez
Luis Sumano
Supervising Producer:
Michael Kinomoto
Supervising Sound Editor:
César González Cortés
Writer:
Robie Flores
Alejandro J. Flores
Kellen Quinn
Chloe Abrahams
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.