A work in constant progress (and occasional regress).
Release Date:
January 1, 2017
Original Title:
Matchstick
Genres:
Thriller
Production Companies:
Pulp & Paper Entertainment
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 19
Caitlyn's therapist convinces her to try a new form of hypnosis that allows her to communicate with her anxiety.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Ane Christensen
Assistant Art Director:
Brittany McDonald
Associate Producer:
Ross Moore
Best Boy Electric:
Mike Clarke
Best Boy Grip:
Colin Merdsoy
Boom Operator:
Mark Neary
Catering:
Nick Jewczyk
Colorist:
Steve Cook
Digital Imaging Technician:
Aaron Elliott
Director:
Mike Fardy
Director of Photography:
Duncan De Young
Editor:
James Patrick
Epk Producer:
Jim Desaultels
First Assistant Camera:
Jason Hamel
First Assistant Director:
Jacqueline Hynes
Foley Artist:
Hilary Thomson
Foley Recordist:
Matthew Thomson
Gaffer:
Heather Rumancik
Graphic Designer:
Hilary Thomson
Key Grip:
Steve McCarthy
Location Manager:
Justin A. Foley
Graham Gooden
Makeup & Hair:
Haleigh McLean
Music:
Barry Fratelli
Online Editor:
Steve Cook
Producer:
Mike Hickey
Production Assistant:
Karen Monie Kwasinwi
Production Manager:
Brad Gover
Script Supervisor:
Amanda Foote
Second Assistant Camera:
Herb Gibbons
Second Assistant Director:
Tori Locke
Set Decoration:
Hilary Thomson
Sound Editor:
Geoff Younghusband
Sound Re-Recording Mixer:
Harvey Hyslop
Sound Recordist:
Marco Dölle
Steadicam Operator:
Ian Vatcher
Still Photographer:
Ritche Perez
Swing:
Alex Wilkie
Third Assistant Director:
Tyler Burry
Wardrobe Designer:
Melanie Oates
Writer:
Mike Fardy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.