A work in constant progress (and occasional regress).
Release Date:
January 7, 2024
Original Title:
Rosamunde Pilcher: Frühstück bei Tessa
Genres:
Drama | Romance | TV Movie
Production Companies:
FFP New Media
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 89
Tessa Grant, the feisty owner of a bed and breakfast in Cornwall, and David Johnson, an upper-class charmer, face an unexpected turn in their lives. After David's mother Carol loses her fortune to a swindler, they are left with their inherited bed and breakfast. With the aim of selling the accommodation quickly, they move in with Tessa. The Johnsons' chaotic lifestyle clashes with Tessa's regular life. However, when they try to win over Tessa's best friend Bruce, unexpected feelings develop between Tessa and David.
Assistant Costume Designer:
Sylvia Thiele
Boom Operator:
Oliver Hemm
Casting Assistant:
Tania Barbosa
Casting Director:
Phillis Dayanir
Commissioning Editor:
Verena von Heeremann
Andrea Klingenschmitt
Continuity:
Britta Butzmühlen
Costume Designer:
Mechthild Baumsteiger
Costumer:
Christina Isabell Molitor
Data Wrangler:
Jurij Tschabanow
Director:
Karola Meeder
Director of Photography:
Stefan Ditner
Editor:
Günter Heinzel
First Assistant Camera:
Florian Partikel
First Assistant Director:
Adelheid Bimmel
Gaffer:
Burhan Dag
Grip:
Mark Ebbage
Key Grip:
Manuel Schlegel
Makeup & Hair:
Anja Mohr
Stefanie Baumann
Original Music Composer:
Christos Andreou
John Moritz
Producer:
Annette Pisacane
Elvira Bolz
Michael Smeaton
Judith Smeaton
Producer's Assistant:
Julia Loosen
Production Accountant:
Carmen Looker
Production Coordinator:
Emily Tudbury
Production Design:
Katie Lee
Production Sound Mixer:
Uwe Schiefer
Second Assistant Camera:
Sebastian Neubert
Short Story:
Rosamunde Pilcher
Sound Designer:
Jochen Fenzl
Sound Re-Recording Mixer:
Michael Gerlach
Unit Manager:
Almut Joswig
Stefan Knäpper
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.