A work in constant progress (and occasional regress).
Release Date:
December 11, 2024
Original Title:
Die schönste Bescherung
Genres:
Drama
Production Companies:
ARD
ARD Degeto
Bantry Bay Productions
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 88
Nobody in the Rigi family is really looking forward to the Christmas Child this year. 13-year-old Sima and her little brother Elyas know: Mom Leonie and dad Kian are going to split up! Even Kian's parents Britta and Navid, who want to spread Christmas cheer, can't turn the tide. Only after a false alarm about Elyas, who has suddenly disappeared, do the tensions ease. The newlyweds make a discovery on their doorstep: a baby just a few weeks old. After a confession from him, the search begins for the mother - and the reason why the foundling should be with parents who are separating.
Assistant Costume Designer:
Orhidea Ceji
Assistant Editor:
Timo Schwarz
Assistant Location Manager:
Carolin Kuhnhold
Assistant Production Design:
Anne-Christine Hansen
Assistant Property Master:
Kate Dreyer
Assistant Unit Manager:
Jule Ahrens
Boom Operator:
Hans-Jörg Bramm
Lewis Lenk
Casting Assistant:
Tania Barbosa
Commissioning Editor:
Stefan Kruppa
Christoph Pellander
Costume Designer:
Regina Gyr
Costumer:
Greta Ismaili
Director:
Karin Heberlein
Director of Photography:
Yunus Roy Imer
Driver:
Felix Eckert
First Assistant Camera:
Jana Fitzner
Line Producer:
Michael Tinney
Anna Laura Börmck
Frank Horak
Location Scout:
Daniel Schnell
Playback Coordinator:
Melissa Guidi
Producer:
Ariane Krampe
Production Accountant:
Iris Karmaat
Production Design:
Carola Gauster
Production Manager:
Olav Henk
Production Secretary:
Christina Müller
Production Sound Mixer:
Magnus Pflüger
Property Master:
Doro Weingarten
Simon Blum
Public Relations:
Kerstin Fuchs
Script Supervisor:
Duc Bao Bui
Mareike Hahnel
Standby Property Master:
Thorsten Kuhne
Unit Manager:
Rebecca Gade
Writer:
Sophia Krapoth
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.