A work in constant progress (and occasional regress).
Release Date:
January 21, 2024
Original Title:
Terror Mandelão
Alternate Titles:
Mandela Revolution
Genres:
Documentary | Music
Production Companies:
O Volume Morto
Pó de Vidro
Production Countries:
Brazil
Ratings / Certifications:
BR: 16
Terror Mandelão addresses sound, technology, and the job market in the universe of baile funk in São Paulo's favelas. The film follows the journey of DJ K, one of the main DJs of Baile do Helipa, the street party of Heliópolis favela, and his friend Zero K, who got his first hit after 10 years as MC. Combining documentary, fictional elements, and visual experimentation, it portrays the ups and downs faced by young artists on the outskirts.
Director:
Felipe Larozza
GG Albuquerque
Director of Photography:
Daniel Lupo
Editor:
Victor Ciappina
Producer:
Patrícia Heit
Researcher:
GG Albuquerque
Screenplay:
Daniel Lupo
Felipe Larozza
GG Albuquerque
Patrícia Heit
Victor Ciappina
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.