A work in constant progress (and occasional regress).
Release Date:
January 17, 2007
Original Title:
Cashback
Alternate Titles:
Belleza invaluable
Bem-Vindo ao Turno da Noite
Cashback
Cashback: La beauté du temps
Gryni pinigai
Visszajáró pénz
Zamana güzellik Kat
Возврат
Возврат денег
Живот на пауза
Решта
Сдача
フローズン・タイム
愛情回水
找零
爱情回水
现金回馈
超市夜未眠
超市未眠夜
캐쉬백
Genres:
Comedy | Drama | Romance
Production Companies:
Left Turn Films
Lipsync Productions
Ugly Duckling Films
Production Countries:
United Kingdom
Ratings / Certifications:
BE: AL BR: 14 DE: 12 ES: 12 FR: TP GB: 15 GR: K15 HK: IIB IE: 15 JP: R15+ KR: 18 MX: B-15 NL: 12 PT: M/12 SE: Btl SG: M18 TR: 18+ US: R
Runtime: 102
After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Steve Haynes
Additional Grip:
Dan Garlick
Sergio Benuzzi
Niall Heuston
Tom North
Alex Coverley
Additional Script Supervisor:
Kriss Landin
Additional Third Assistant Director:
Sarah MacFarlane
Art Direction:
Emma Jones
Assistant Art Director:
Owen Gundry
Assistant Editor:
Simon Davis
Associate Producer:
Winnie Li
Boom Operator:
Ben Greaves
Cableman:
Tim Surrey
Camera Trainee:
Chris Kane
Clapper Loader:
Sophie Wilson
Fran Weston
Costume Assistant:
Becky Duncan
Costume Design:
Vicki Russell
Victoria Russell
Costume Supervisor:
Annabel Bonnett
Crowd Assistant Director:
Ori Latter
Digital Effects Supervisor:
Howard Watkins
Director:
Sean Ellis
Director of Photography:
Angus Hudson
Draughtsman:
Catherine Byrne
Editor:
Carlos Domeque
Scott Thomas
Electrician:
David Sinfield
John Turner
Executive Producer:
Peter Hampden
Daphne Guinness
Norman Merry
Vijay Thakur
First Assistant Director:
Steve Newton
Focus Puller:
Tim Battersby
Kirsti Abernethy
Gaffer:
Kevin Edland
Generator Operator:
Paul Holley
Hairdresser:
Gerard Hawe
Legal Services:
Russells Solicitors
Line Producer:
Marshall Leviten
Location Assistant:
Tom Avison
Makeup Artist:
Nikki Willemen
Makeup Designer:
Louisa Murray
Music Consultant:
Trevor Jackson
Matt Rice
Music Supervisor:
Fiona McBlane
Orchestrator:
Andrew Pearce
Original Music Composer:
Guy Farley
Post Production Coordinator:
Lisa Jordan
Post Production Supervisor:
Neil Grimshaw
Producer:
Lene Bausager
Sean Ellis
Production Accountant:
Tina Shadick
Production Design:
Morgan Kennedy
Production Manager:
Bianca Gavin
Property Builder:
Steve Blundell
Mark Billingham
Property Buyer:
Carolyn Boult
Sophie Phillips
Property Master:
Peter Fentem
Rigging Gaffer:
Mark Side
Scenic Artist:
Stuart Clarke
Screenplay:
Sean Ellis
Script Supervisor:
Elizabeth Tremblay
Second Unit Director of Photography:
Sam Garwood
Set Decoration:
Jackie Castelli
Sound Mixer:
Jamie Gambell
Standby Art Director:
Graham Ward
Steadicam Operator:
Derek Walker
Supervising Sound Editor:
David Smithers
Techno Crane Operator:
Daniel Hegarty
Transportation Captain:
Lorenzo Macchiarola
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.