A work in constant progress (and occasional regress).
Release Date:
March 4, 2001
Original Title:
Amy & Isabelle
Alternate Titles:
Amy and Isabelle
Genres:
Drama | TV Movie
Production Companies:
American Broadcasting Company (ABC)
Harpo Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 100
In 1971, in the small town of Shirley Falls, in Maine, the odd and lonely secretary Isabelle Goodrow raises her teenager daughter Amy alone. She has only two friends in her job among her gossiper colleagues. When her overprotected daughter is seduced by her mathematic teacher Peter Robertson, the world of Isabelle falls apart. She becomes lost and loses her confidence on Amy, spoiling their relationship. Their bond gets tied again when Isabelle discloses her inner secrets from the past to Amy.
Art Direction:
Max Biscoe
Casting:
Ilene Starger
Tracy Kilpatrick
Costume Design:
Donna Zakowska
Director:
Lloyd Kramer
Director of Photography:
Eric Alan Edwards
Editor:
Scott Chestnut
Executive In Charge Of Production:
Tim Tortora
Executive Producer:
Oprah Winfrey
Kate Forte
First Assistant Director:
J. Stephen Buck
Gaffer:
Louis DiCesare
Hairstylist:
Susan Buffington
Rosalee Riggle
Key Hair Stylist:
Michelle Johnson
Key Makeup Artist:
Wynona Price
Makeup Artist:
Desne J. Holland
Music:
Ernest Troost
Music Supervisor:
Deva Anderson
Novel:
Elizabeth Strout
Producer:
Doro Bachrach
Production Design:
Clark Hunter
Script Supervisor:
Jennifer Opresnick
Second Assistant Director:
J. David Brightbill
Second Second Assistant Director:
Jennifer Reiss
Second Unit Director of Photography:
Richard Rutkowski
Set Decoration:
Traci Kirshbaum
Sound Re-Recording Mixer:
Gerry Lentz
Richard Weingart
Special Effects Coordinator:
William Purcell
Stunt Coordinator:
Jeannie Epper
Teleplay:
Joyce Eliason
Lloyd Kramer
Visual Effects Supervisor:
Steve Rundell
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.