A work in constant progress (and occasional regress).
Release Date:
January 25, 2024
Original Title:
Retrato de um Certo Oriente
Genres:
Drama
Production Companies:
Bubbles Project
Canal Brasil
Globo Filmes
Gullane Entretenimento
Kavac Film
Matizar Filmes
Misti Filmes
Muiraquitã Filmes
Orjouane Productions
VideoFilmes
Production Countries:
Brazil | Italy | Lebanon
Ratings / Certifications:
N/A
Runtime: 92
At the end of the 1940s, Lebanon is sliding towards a devastating conflict. Catholic siblings Emilie and Emir decide to leave for Brazil. Aboard the ship to their new home, Emilie falls in love with Omar, a Muslim merchant. For an enraged and jealous Emir, the relationship is intolerable. As the story unfolds against the backdrop of the majestic rainforest, Emir’s actions and the choice that Emilie subsequently makes lead to disastrous consequences.
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Art Direction:
Marcos Pedroso
Caterina Pepe
Associate Producer:
Maria Camargo
Emmanuelle Déprats
Sabine Sidawi
Tatiana Leite
Co-Producer:
Caio Gullane
Patrick Carrarin
Fabiano Gullane
Eliane Ferreira
André Novis
Simone Gattoni
Costume Design:
Rô Nascimento
Fabio Cicolani
Maria Diaz
Director:
Marcelo Gomes
Director of Photography:
Pierre de Kerchove
Editor:
Karen Harley
Executive Producer:
Mariana Ferraz
Mauro Pizzo
Ernesto Soto
Eliane Ferreira
Patrick Carrarin
First Assistant Director:
Maria Clara Escobar
Original Music Composer:
Piero Bianchi
Mateus Alves
Original Story:
Milton Hatoum
Producer:
Ernesto Soto
Guilherme Cezar Coelho
Mariana Ferraz
Second Assistant Director:
Pethrus Tiburcio
Sound:
Giacomo Vitiello
Moabe Filho
Antonio Casparriello
Pedrinho Moreira
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.