A work in constant progress (and occasional regress).
Release Date:
July 11, 2024
Original Title:
Führer und Verführer
Alternate Titles:
El ministro de propaganda
Fører og forfører
Führer & Verführer
Führer and Seducer
Goebbels and the Fuhrer
Genres:
Drama | History
Production Companies:
SWR
Zeitsprung Pictures
act headquarter media
Production Countries:
Germany | Slovakia
Ratings / Certifications:
AU: MA 15+ CZ: 15+ DE: 12 ES: 16 GB: 15 HU: 16 NL: 16 SE: 15
Runtime: 123
As Minister of Propaganda, Joseph Goebbels creates films and pictures used to prepare the Germans for Total War and the Holocaust. When the war is lost, he conceives his last staging, the most radical propaganda act still possible to him.
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Assistant Editor:
Jonas Thoma
Eva Hardebeck
Casting Director:
Marc Schötteldreier
Co-Producer:
Sandra Maria Dujmovic
Colorist:
Martin Becker
Costume Design:
Katarína Štrbová Bieliková
Director:
Joachim Lang
Director of Photography:
Klaus Fuxjäger
Driver:
Michael Kerger
Editor:
Rainer Nigrelli
First Assistant Camera:
Sebastian Volkholz
First Assistant Director:
Klaus Pridnig
Foley Artist:
Moritz Groß
Graphic Designer:
Lea Gabler
Makeup & Hair:
Ulla Röling
Makeup Artist:
Martin Blizniak
Music Supervisor:
Jens Quandt
Original Music Composer:
Michael Klaukien
Post Production Supervisor:
Ninette Botha
Producer:
Till Derenbach
Michael Souvignier
Producer's Assistant:
Hanna Schulz
Gala Souvignier
Production Accountant:
Claudia Mehl
Production Assistant:
Len Reddemann
Production Design:
Pierre Pfundt
Benedikt Herforth
Production Manager:
Marcus Schulze-Erdel
Script Supervisor:
Annie Grossmann
Second Assistant Director:
Nikolaus Kantner
Kryštof Liška
Sound Editor:
Maximilian Rodegra
Sound Re-Recording Mixer:
Hendrik Bleier
Third Assistant Director:
Marco Rubiero
Jiří Macek
Writer:
Joachim Lang
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.