A work in constant progress (and occasional regress).
Original Title:
Sampai Bertemu Lagi
Genres:
Drama
Production Companies:
Nawang Films
TTS Production
UMN (Universitas Multimedia Nusantara)
Production Countries:
Indonesia
Ratings / Certifications:
N/A
Runtime: 10
Ali, a sushi chef from Manado must face a very tragic news on his big grand opening night for his very own omakase restaurant.
Actor's Assistant:
Claudia Hartanto
Assistant Art Director:
Muhammad Elmo Hartawan
Assistant Camera:
Jonathan Samuel
Juan Dimas Gerardo
Muhammad Kahfi Lagaligo
Assistant Director:
Oskar Filipus
Assistant Editor:
Rahardja Adiwidjaya
BTS Photographer:
Fawwaz Janu
Best Boy Grip:
Dhany Rahmawan
Anindana Abhinaya
Boom Operator:
Mario Rivaldo
Carpenter:
Tugyo
Kirgi Hilbani Satrio
Catering:
Dimas Kharismawan
Lia Triaska
Clapper Loader:
Juan Dimas Gerardo
Colorist:
Jason Kirana
Rahardja Adiwidjaya
Digital Imaging Technician:
Jason Kirana
Director:
Rahardja Adiwidjaya
Director of Photography:
Fidelis Evangello Pramudha Wutun
Driver:
Hanif Irvandri Ramadhan
Claudia Hartanto
Editor:
Jason Kirana
Executive Producer:
Soebagdja Salim
Gaffer:
Hanif Irvandri Ramadhan
Key Grip:
Ardiya Saputro
Makeup & Hair:
Yasmin Azzahra
Music Score Producer:
Zefanya Farrel Palinggi
Post Production Supervisor:
Siti Adlina Rahmiaty
Producer:
Rizqi Bagas
Production Assistant:
Kirgi Hilbani Satrio
Production Design:
Leo Marvin Diaz
Production Manager:
Zaky Febriansyah Lazim
Production Supervisor:
Putri Sarah Amelia
Jose Prabowo
Suherina
Haryono Putra
Set Dresser:
Kirgi Hilbani Satrio
Bianca Annabelle
Sound Designer:
Thomas Indriya Kautaman
Sound Recordist:
Thomas Indriya Kautaman
Wardrobe Coordinator:
Nathania Nauli
Writer:
Jason Kirana
Oskar Filipus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.