A work in constant progress (and occasional regress).
Release Date:
August 2, 2012
Original Title:
Lore
Genres:
Drama | Thriller | War
Production Companies:
Edge City Films
Porchlight Films
Rohfilm
Production Countries:
Australia | Germany | United Kingdom
Ratings / Certifications:
AU: MA15+ BE: 18 CA: R CH: 14 DE: 16 FR: U GB: 15 GR: Κ-15 HU: 16 IE: 15A JP: PG12 NL: 16 SE: 15 US: NR
Runtime: 109
Lore leads her four younger siblings across a war-torn Germany in 1945. Amidst the chaos she encounters a mysterious refugee who shatters her fragile reality with hatred and desire.
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Art Direction:
Jochen Dehn
Assistant Art Director:
Marie-Luise Balzer
Camera Operator:
Greig Fraser
Adam Arkapaw
Casting:
Anja Dihrberg
Jacqueline Rietz
Costume Design:
Stefanie Bieker
Dialogue Editor:
Yulia Akerholt
Antony Gray
Digital Intermediate:
Matthew T. Griffin
Katherine Heads
Matthew M. North
Director:
Cate Shortland
Director of Photography:
Adam Arkapaw
Dolby Consultant:
Bruce Emery
Editor:
Veronika Jenet
Executive Producer:
Vincent Sheehan
Margaret Matheson
Anita Sheehan
First Assistant Editor:
James Sutton
Gaffer:
Michael Adcock
Makeup Artist:
Antje Dahm
Ulrike Borrmann
Makeup Department Head:
Katrin Westerhausen
Novel:
Rachel Seiffert
Original Music Composer:
Max Richter
Producer:
Paul Welsh
Karsten Stöter
Benny Drechsel
Liz Watts
Production Design:
Silke Fischer
Researcher:
Alex Howes
Linda Micsko
Nikola Hoeltz
Screenplay:
Robin Mukherjee
Cate Shortland
Script Editor:
Franz Rodenkirchen
Script Supervisor:
Alisa Leptihn
Sound Designer:
Sam Petty
Sound Recordist:
Michael Busch
Steadicam Operator:
Jörg Süß
Harald Mellwig
Still Photographer:
Grace Cramer
Dorothea Trebs
Thomas Maximilian Jauk
Karsten Frank
Vanessa Fuentes
Supervising Sound Editor:
Sam Petty
Visual Effects:
Jamie Russell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.