A work in constant progress (and occasional regress).
Original Title:
Where Loyalty Lies
Genres:
Action | Crime
Production Companies:
1500 Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 85
Andre Moore is a former street soldier, turned military vet, who is forced back into a life of crime to save his kidnapped son from certain death. Mason Frank, Andre's best friend, has been given a life or death ultimatum by his drug supplier, which makes him take desperate measures to ensure his families safety. Andre and Mason must thrust themselves into harms way to ultimately guarantee their families well being.
Boom Operator:
Christopher Mullins
Camera Operator:
Kerwin Escobar
Digital Imaging Technician:
Dwani Hitchens
Director:
Ali Abdin
Aaron Abdin
Director of Photography:
Reece Moffett
Editor:
Edward J. James
Executive Producer:
Jonathan L. Harris
Jantzen Thorns
Roy Hooks
Onuma Ibe
Mike Spencer
First Assistant Camera:
Isaiah Courtney
First Assistant Director:
Jessica Law-Davis
Makeup Artist:
Kyasia Fields
Music:
Davion Botts
Producer:
Ali Abdin
Aaron Abdin
Production Assistant:
Joshua Beacham
Quaniesha Stephens
Kierra Wright
Rachael Calhoun
Raevyn McKnight
Miyhia Rhone
James Autrey III
Aundrea Tyler
Jalen Ards
Sabrina Gomez
Troymanne Willis
Janasia Whitfield
Kayla'Anne Donnell
Billyne Francois
Aaliyah Bacon
John-Robert Sims
Production Design:
Brandy Specks
Script Supervisor:
Asia Allen
Second Assistant Camera:
Alexa Slater
Set Decoration:
Amara Martinez
Sound Mixer:
Louie Benavides
Stunts:
Joseph Mason
Jarone Kendrick Vance
Eric Mallet
Wes Kreitz
Maximo Gonzales
Jordan Gutierrez
Antonio Vines
Carrico Demott
Joel Halfmoon Demott
Visual Effects:
Sean B. Simmons
Wardrobe Master:
Sabrina Occeus
Writer:
Ali Abdin
Aaron Abdin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.