A work in constant progress (and occasional regress).
Release Date:
December 10, 2023
Original Title:
A GRAMMY Salute to 50 Years of Hip-Hop
Genres:
Documentary | Music
Production Companies:
Jesse Collins Entertainment
Rock the Bells
Studio by Fatima Robinson
The Recording Academy
Two One Five Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
A once-in-a-lifetime live concert special celebrating the 50th anniversary of hip-hop, the two-hour tribute special features exclusive performances from hip-hop legends and GRAMMY-winning artists, including Black Thought, Bun B, Common, De La Soul, Jermaine Dupri, J.J. Fad, Talib Kweli, The Lady of Rage, LL COOL J, MC Sha-Rock, Monie Love, The Pharcyde, Queen Latifah, Questlove, Rakim, Remy Ma, Uncle Luke, and Yo-Yo.
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Art Direction:
Scott Welborn
Co-Executive Producer:
Eric Cook
Harvey Mason Jr.
Costume Design:
Binkie Binx
Director:
Marcelo Gama
Editor:
Hector Lopez
Executive Producer:
Jesse Collins
Dionne Harmon
Jeannae Rouzan-Clay
LL Cool J
Claudine Joseph
Questlove
Shawn Gee
Fatima Robinson
Hair Department Head:
Brian Steven Banks
Lighting Design:
Dave Thibodeau
Line Producer:
Jody Kolozsvari
Makeup Department Head:
Hadeel Sittu
Producer:
Brittany Brazil
Production Design:
Brian J. Stonestreet
Script Coordinator:
Casey Cormier
Script Supervisor:
Hayley Broderick
Jessica Major
Tailor:
Deybe Lisbe
Shante Sposato
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.