A work in constant progress (and occasional regress).
Release Date:
December 12, 2022
Original Title:
I diari di mio padre
Genres:
Documentary
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 93
It is 1993 when Bekir Hasanović exchanges a gold coin for the camera he will use to film everyday life in Srebrenica during the days of the war. The images he records with his improvised crew, called Dzon, Ben & Boys, give life to the unexpected portrait of a population lost, but able to maintain a proud connection with reality without giving up its typical humor. Ado, Bekir's son, starts from these images and from the pages of the diaries kept by his father to reconstruct, together with his mother Fatima, the image of his father and finally be able to know how he survived the Death March and the Srebrenica genocide.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.