A work in constant progress (and occasional regress).
Release Date:
July 17, 2021
Original Title:
Fuchs & Pinguin
Genres:
Comedy | Documentary | Family | Romance
Production Companies:
Apeiron Films
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 12
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
Assistant Director:
Lessing Swanepoel
Mercedes Ortego
Assistant Sound Engineer:
Steffi Sixdorf
Boom Operator:
Patrick Düren
Camera Operator:
Dave Lojek
Catering:
Catharina Hamerle
Clapper Loader:
Lessing Swanepoel
Mercedes Ortego
Colorist:
Dave Lojek
Continuity:
Lessing Swanepoel
Mercedes Ortego
Costumer:
Catharina Hamerle
Director:
Dave Lojek
Catharina Hamerle
Director of Photography:
Dave Lojek
Editor:
Dave Lojek
Gaffer:
Mercedes Ortego
Lessing Swanepoel
Idea:
Steffi Sixdorf
Catharina Hamerle
Location Scout:
Dave Lojek
Catharina Hamerle
Original Music Composer:
Mirko Rizzello
Producer:
Dave Lojek
Catharina Hamerle
Production Manager:
Dave Lojek
Prop Maker:
Dave Lojek
Props:
Catharina Hamerle
Screenplay:
Catharina Hamerle
Steffi Sixdorf
Set Photographer:
Dave Lojek
Mercedes Ortego
Sound Editor:
Catharina Hamerle
Sound Mixer:
Patrick Düren
Sound Post Supervisor:
Patrick Düren
Storyboard Artist:
Steffi Sixdorf
Catharina Hamerle
Writer:
Catharina Hamerle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.