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Never/Always (2023) [N/A]

Release Date:
December 4, 2023

Original Title:
Nunca/Siempre

Genres:
Drama

Production Companies:
CMC Producciones

Production Countries:
Argentina

Ratings / Certifications:
AR: ATP 

Runtime: 6

The truth always comes out

Overview from TheMovieDB

Zoe, an adult teacher, is at the house of Alfonsina, one of her older students. Her student asks her for help reading her late husband's letter, but when Zoe reads the content she lies to hide the harsh truth.

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Additional information:

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Performers

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Production

"A" Camera Operator:
Matilda Lasarte

Art Direction:
Sabina Pértica Cabrera

Color Grading:
Matilda Lasarte

Director:
Ciro Retamal

Director of Photography:
Maria Florencia Levin

Editor:
Maria Florencia Levin

Producer:
Aylén Muñoz

Sound:
Selena Ortiz

Sound Editor:
Ciro Retamal
Aylén Muñoz

Writer:
Ciro Retamal
Matilda Lasarte

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.