Home

Fierce Creatures (1997) [PG-13]

Release Date:
January 23, 1997

Original Title:
Fierce Creatures

Alternate Titles:
Aršus padarai
Death Fish II
Divlja stvorenja
Kaikkiruokaiset ystäväni
Olme beist
Prave zvijeri
Vahsi yaratiklar
Zverine
偷鸡摸狗

Genres:
Comedy | Romance

Production Companies:
Fish Productions
Jersey Films
Universal Pictures

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
CH: 12  CZ: 12+  DE: 12  DK: 15  ES: 7  FI: K-12  FR: U  GB: 12  HU: 12  IE: 12  JP: G  NL: 14  NO: 15  PL: 12  PT: M/12  SE: 15  US: PG-13 

Runtime: 93

Don't pet them.

Overview from TheMovieDB

Ex-policeman Rollo Lee is sent to run Marwood Zoo, the newly acquired business of a New Zealand tycoon. In order to meet high profit targets and keep the zoo open, Rollo enforces a new 'fierce creatures' policy, whereby only the most impressive and dangerous animals are allowed to remain in the zoo. However, the keepers are less enthusiastic about complying with these demands.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Max Hoskins

ADR Mixer:
Sandy Buchanan

Additional Still Photographer:
Bill Kaye

Aerial Camera:
Adam Dale

Animatronics Designer:
Terry Jones

Art Direction:
David Allday
Kevin Phipps

Assistant Accountant:
John Eccleston

Assistant Art Director:
Gary Tomkins

Assistant Editor:
Rab Wilson

Assistant Production Coordinator:
Judy Britten

Boom Operator:
Mike Bleach

CG Supervisor:
Andrew Eio

Camera Operator:
Neil Binney

Carpenter:
David Coley

Casting:
Priscilla John

Casting Associate:
Julia Duff

Clapper Loader:
Ashley Bond

Co-Director:
Fred Schepisi

Co-Producer:
Patricia Carr

Compositor:
John Swinnerton

Conductor:
Jerry Goldsmith

Construction Buyer:
Carol Eastwood

Construction Coordinator:
Ray Barrett

Costume Design:
Hazel Pethig

Dialogue Coach:
Sally Grace

Dialogue Editor:
Sally Grace

Digital Compositor:
Martin Body

Director:
Robert Young

Director of Photography:
Ian Baker
Adrian Biddle

Draughtsman:
Stephen Dobric

Dressing Prop:
Colin Burgess

Editor:
Robert Gibson

Electrician:
John Ash

Executive Assistant:
Martin Eichelberger

Executive Producer:
Steve Abbott

First Assistant Director:
Jonathan Benson

First Assistant Editor:
Simon Harris

Floor Runner:
Naomi Conran

Focus Puller:
Fraser Taggart
Tim Dodd

Foley Editor:
Brian Blamey

Gaffer:
Kevin Day

Generator Operator:
Martin Bloye

Hairstylist:
Hilary Haines

Key Grip:
John Flemming

Key Makeup Artist:
Paul Engelen

Location Manager:
Gill Case

Makeup Artist:
Penny Bell

Music Editor:
Kenneth Hall

Negative Cutter:
Kim Norris

Original Music Composer:
Jerry Goldsmith

Painter:
Robin Heinson

Producer:
John Cleese
Michael Shamberg

Production Accountant:
Maggie Phelan

Production Assistant:
Andrew McEwan

Production Coordinator:
Jo Burn

Production Design:
Roger Murray-Leach

Production Runner:
Scott Bates

Property Master:
John Allenby

Screenplay:
John Cleese
Iain Johnstone

Script Supervisor:
Annie Penn

Sculptor:
Allan Moss

Second Assistant Director:
Antony Ford

Set Decoration:
Peter Howitt
Stephenie McMillan
Brian Read

Sound Editor:
Colin Miller

Sound Mixer:
Chris Munro

Sound Re-Recording Mixer:
Graham V. Hartstone

Special Effects Makeup Artist:
Chris Lyons

Stand In:
Joshua Andrews

Standby Painter:
Kevin McCarthy

Steadicam Operator:
Alf Tramontin

Still Photographer:
David Appleby

Storyboard Artist:
Martin Asbury

Stunt Coordinator:
Greg Powell
Simon Crane

Stunt Double:
Riky Ash

Thanks:
Kevin Costner

Third Assistant Director:
Simon Emanuel

Title Designer:
Pauline Hume

Unit Production Manager:
Callum McDougall

Unit Publicist:
Vanessa Davies

Wardrobe Assistant:
Joe Hobbs

Wardrobe Supervisor:
Mark Foster

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.