A work in constant progress (and occasional regress).
Release Date:
January 6, 1993
Original Title:
Made in America
Genres:
Comedy
Production Companies:
Regency Enterprises
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ DE: 6 FR: U GB: 12 US: PG-13
Runtime: 111
A young black woman discovers that her father was a sperm donor, and if that wasn't bad enough, he's white.
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ADR Mixer:
Christina Tucker
ADR Voice Casting:
Barbara Harris
Aerial Director of Photography:
Stan McClain
Art Department Coordinator:
Kristen Ross
Assistant Accountant:
Diane Seniw
Jay Roberts
Assistant Art Director:
Dawn Swiderski
Don Weinger
Assistant Editor:
Margaret Adachi
Paul Martinez
Assistant Production Coordinator:
Heidi McGuire
Assistant Property Master:
Dean Backer
Assistant Sound Editor:
Timothy C. Dobie
Debbie Peterson
Associate Producer:
Suzanne Rothbaum
Best Boy Electric:
Joe Carl Parsons
Best Boy Grip:
Gary Gill
Boom Operator:
Gary Dowling
Camera Operator:
Harald Ortenburger
Casting:
Reuben Cannon
Casting Associate:
David Giella
Choreographer:
Lester Wilson
Rick Rozzini
Richard D. Montoya
Co-Executive Producer:
Steven Reuther
Co-Producer:
Patrick J. Palmer
Color Timer:
Hillary Murray
Construction Coordinator:
Chris H. Kelly
Rodney Armanino
Richard Reseigne
Construction Foreman:
Ray Mondoux
Costume Designer:
Elizabeth McBride
Costume Supervisor:
Eileen Sieff Stroup
Costumer:
Amanda Chamberlin
Mary Elizabeth Still
Barbara Hartman-Jenichen
Michael Becker
Craft Service:
James J. Wilhelm
Director:
Richard Benjamin
Director of Photography:
Ralf D. Bode
Dolly Grip:
Steve Cardellini
Editor:
Jacqueline Cambas
Electrician:
Gregory M. Childers
Curt Cabral
Andrea Kahn
Executive Producer:
Marcia Brandwynne
Nadine Schiff
Extras Casting:
Raquel Osborne
First Assistant Camera:
Peter Gulla
First Assistant Director:
L. Dean Jones Jr.
Newt Arnold
Foley Artist:
Sarah Monat
Robin Harlan
Ellen Heuer
Foley Mixer:
Bruce Bell
Gaffer:
Frank Strzalkowski
Grip:
Wesley Riley
Charma Ferreira
Hairstylist:
Susan Germaine
Candace Neal
In Memory Of:
Lester Wilson
Key Grip:
Jon Guterres
Key Hair Stylist:
Julia L. Walker
Key Makeup Artist:
Michael Germain
Daniel C. Striepeke
Leadman:
Don Watson
Location Manager:
Nathan Gendzier
Debra A. Girard
Charles Miller
Music Editor:
Richard Whitfield
Music Supervisor:
Richard Rudolph
Negative Cutter:
Donah Bassett
Original Music Composer:
Mark Isham
Pilot:
Robert 'Bobby Z' Zajonc
Post Production Supervisor:
Carol Dantuono
Producer:
Rick Bieber
Michael Douglas
Arnon Milchan
Production Accountant:
Ida Lee Henderson
Production Assistant:
Joseph A. Ruzecki
Seven McDonald
Natalia Matthews
Brian Jay
Brian Hofstetter
Oscar Briones
Kevin F. Walsh
Production Coordinator:
Kathy Sarreal
Production Design:
Evelyn Sakash
Production Secretary:
Erin Fiedler
Property Master:
Don Miloyevich
Props:
Robert A. Corso
Rigging Grip:
Jeff Gilliam
Screenplay:
Marcia Brandwynne
Nadine Schiff
Holly Goldberg Sloan
Script Supervisor:
Pamela Alch
Second Assistant Camera:
John A. Small
Paul Bode
Second Assistant Director:
Bryan Denegal
Second Second Assistant Director:
Richard Brodsky
Second Unit Director:
Patrick J. Palmer
David R. Ellis
Set Decoration:
Hilton Rosemarin
Set Dresser:
George F. Mauricio
Eugene M. Texeira
Set Medic:
Christopher Desmond
Sound Editor:
Duke Brown
Scott Burrow
Christopher T. Welch
Mark Gordon
Peter C. Barbour
Sound Mixer:
Richard Lightstone
Sound Re-Recording Mixer:
Chris Jenkins
Mark Smith
Doug Hemphill
Special Effects:
Tom Sindicich
Steadicam Operator:
Jeff Mart
Ted Churchill
Still Photographer:
Zade Rosenthal
Stunt Coordinator:
David R. Ellis
Stunts:
Robin Lynn Bonaccorsi
Richard M. Ellis
Gregory J. Barnett
Dick Ziker
Supervising Sound Editor:
Mike Dobie
Jeff Bushelman
Transportation Captain:
Chick Elwell
Transportation Coordinator:
Alan Collis
Unit Production Manager:
Joe M. Aguilar
Unit Publicist:
Joe Everett
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.