A work in constant progress (and occasional regress).
Release Date:
October 8, 2023
Original Title:
Fais le mort !
Alternate Titles:
STELL DICH TOT!
Genres:
Documentary
Production Companies:
ARTE
TAJINE STUDIO
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 80
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
Additional Director of Photography:
Simon P.R. Bewick
Additional Music:
Jan Vysocky
Additional Set Dresser:
Natasha Belova
Assistant Editor:
Élisa Favreau
Camera Operator:
Matthew Lancit
Colorist:
Yannig Willmann
Director:
Matthew Lancit
Director of Photography:
Armel Hostiou
Editor:
Ariane Mellet
Matthew Lancit
Makeup Artist:
Katokix Bloody Mary's
David Scherer
Music:
Etienne Nicolas
Producer:
Simon P.R. Bewick
Production Executive:
Simon P.R. Bewick
Sound Designer:
Jan Vysocky
Sound Editor:
Stéphane Rives
Sound Mixer:
Jules Wysocki
Sound Recordist:
Stéphane Rives
Matthew Lancit
Storyboard Artist:
JL MAST
Unit Production Manager:
Paul Secchi
Manon Le Guen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.