A work in constant progress (and occasional regress).
Release Date:
November 3, 2023
Original Title:
Desync
Genres:
Drama
Production Companies:
Sheridan College
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 12
Ana, a young filipina filmmaker, shoots a re-enactment of a fight she once had with her mother - a fight brought on by mutual refusals to communicate. Echoing the cultural pressure from her mother to work beyond her natural limits, Ana rewrites every single insult into a chance for forgiveness. As the story of her film diverges further and further from the memory of what happened, she questions whether her creative additions amount to yet another repression of the truth.
ADR Mixer:
Sarah Saunders
ADR Recordist:
Sam Koabel
Art Department Production Assistant:
Keaton Browning
Assistant Camera:
Rowan Mikolic-O'Rourke
Tarneem Allati
Assistant Director:
Emilia Mieres
Kellsie McCullough
Assistant Editor:
Eric Genier
BTS Photographer:
Gaetano Segreto
Kyle Mathers
Boom Operator:
Isaac Stacey
Camera Operator:
Jeff Pollock
Casting Director:
Ellie O'Brien
Colorist:
Hugo Hum
Costume Design:
Victoria Bacani
Director:
Minerva Navasca
Director of Photography:
Laura King
Editor:
Chen Sing Yap
Foley Artist:
Sarah Saunders
Gaffer:
Jacob Lea
Key Grip:
Marco Ciardullo
Location Sound Mixer:
Greyson Barit
Cameron Coddington
Leo Wei
Music:
Wilfred Moeschter
Producer:
Asa Kazerani
Production Assistant:
Erin Zhao
Production Design:
Dee Talusan
Production Manager:
Holly De Vaal
Props:
Xavier Liska
Script Editor:
Brianne Harvie
Script Supervisor:
Xander Pham
Set Decoration:
Nathalie Cocq
Sound Designer:
Sarah Saunders
Sound Mixer:
Elliot Beer
Supervising Sound Editor:
Sarah Saunders
VFX Artist:
Klye Gallagher
Evan Govedas
Writer:
Chen Sing Yap
Minerva Navasca
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.