A work in constant progress (and occasional regress).
Release Date:
November 6, 2007
Original Title:
...calling to me from the angry surface of some grey and threatening sea. I was transported.
Ratings / Certifications:
N/A
Runtime: 11
In this film, Walker employs paper silhouettes, archival photographs, and other imagery to examine the history and long aftermath of slavery in the United States. Drawing on references to that history, the 2003 Darfur genocide, and the American South, she uses silhouettes, a nineteenth-century portrait technique, to reflect on issues of identity, race, and violence. The brightly colored backgrounds and country-inflected banjo soundtrack create a sense of spectacle that is at odds with the violence experienced by the figures, reminding viewers that images of black bodies in pain continue to be a source of entertainment under white supremacy. [Overview courtesy of The Whitney Museum]
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.