A work in constant progress (and occasional regress).
Release Date:
November 23, 2023
Original Title:
Síncopa
Genres:
Comedy | Drama
Production Companies:
Alazworks
Garabato Sound Studios
Hagamos Cine
Meridian Films
Tecnológico de Monterrey
Transcode
Production Countries:
Mexico
Ratings / Certifications:
N/A
Art Department Coordinator:
Teresa Robledo
Art Direction:
Mariana Lecanda
Assistant Camera:
Sergio Capistrán
Alan Ornelas
Associate Producer:
Irán Castillo
Mauricio Argüelles
César Rodríguez
Julio Muñoz
Alex Argil
Gisela Cortés
Alexandra Barreto
Mayra Saucedo
Pascacio López
Alicia Reyna
Camera Operator:
Benjamín Romero S
Chief Lighting Technician:
Roberto Sobrado
Cinematography:
Antonio Mata
Color Timer:
Luis Mejía
Costume Designer:
Diana Almaráz
Digital Imaging Technician:
Tony García Schwebel
Director:
Alan Gutiérrez
Drone Operator:
Benjamín Romero S
Editor:
Janet Ramírez
Electrician:
Fernando Chantaca
Executive Co-Producer:
Adriana Barreto
Emiliano Dueñas
Andrés Duarte
Renée Paillés
Ramón Valdez
Executive Producer:
Efraín Álvarez
First Assistant Art Direction:
Armando Torres
First Assistant Director:
Carla Rojas
First Assistant Director (Prep):
Eugenio Rubio
Gaffer:
Tomás Soto
In Memory Of:
Andrés Arreola
Line Producer:
Sergio Nolasco
Makeup & Hair:
Alejandra Cienfuegos
Music:
Fernando Gutiérrez Campoy
Music Producer:
Fernando Gutiérrez Campoy
Original Music Composer:
Amaury Vega
Producer:
Alan Gutiérrez
Osvaldo de León
Antonio Mata
Production Design:
Emiliano Dueñas
Screenplay:
Alan Gutiérrez
Second Assistant "A" Camera:
Teba Rodríguez
Second Unit First Assistant Director:
Paola Chong
Pamela Gómez
Sequence Supervisor:
Daniel Rojas
Set Decoration:
Fey Unda
Sound Designer:
David Tecuanhuey
Sound Post Production Coordinator:
Miguel Ángel Gamez García
Still Photographer:
Luis rentería
Swing:
Mayra Saucedo
Writer:
Alan Gutiérrez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.