A work in constant progress (and occasional regress).
Release Date:
September 8, 2022
Original Title:
Una historia y a dormir: El mensajero
Alternate Titles:
A Story Before Bedtime: The Messenger
Genres:
Crime | Horror | Thriller
Ratings / Certifications:
N/A
Animation:
Valú Reyes Gaona
Art Direction:
Paula Fernández
Assistant Art Director:
Valú Reyes Gaona
Alissa Rivoldi
Alejandra Fagre
Assistant Camera:
Jesús Jiménez Bedmar
Cristina Ortega
Boom Operator:
Valentino Mascardi
Camera Operator:
Ramón Riera Marco
Color Grading:
Asif Ken Fernandes
Costume Designer:
Elisa González
Covadonga Gutiérrez
Costume Supervisor:
Carla D'Intino
Digital Imaging Technician:
Jesús Jiménez Bedmar
Director:
Antonio García Carcedo
Director of Photography:
Carlos Soler Sánchez
Editor:
Jesús Jiménez Bedmar
Electrician:
Paola Rojas
Ponç Navarro
Executive Producer:
Luis Reneo
Piluca Baquero
First Assistant Director:
Francesca Notaro Almeida
Gaffer:
David de las Heras
Line Producer:
Noelia Hernández Alonso
Makeup & Hair:
Alison Xiomara
Aurora G. Coleto
Music:
Mario Ramírez González
Producer:
Antonio García Carcedo
Production Assistant:
José Velasco
Amaia García-Lomas Román
Script Supervisor:
Daniela Reyes
Second Assistant Director:
Irene Sampedro
Sound Assistant:
Jorge Maté
Sound Editor:
Dennis Schoemakers
Sound Mixer:
Nick d'amico
Still Photographer:
Ana Rivera
Pablo Salas
Thanks:
José Arana
Santiago García de Leániz
Carlos Baixauli
David Díaz
José Luis Toral
Third Assistant Director:
Eduardo Tobalina Garrido
Unit Production Manager:
Noelia Martín
VFX Editor:
Asif Ken Fernandes
Writer:
Antonio García Carcedo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.