A work in constant progress (and occasional regress).
Release Date:
October 21, 2023
Original Title:
Estado da Arte
Alternate Titles:
Estado del Arte
State of the Art
Genres:
Drama
Production Companies:
Amplia Audiovisual
Carpe Filmes
Production Countries:
Brazil
Ratings / Certifications:
BR: L
Art Department Assistant:
Beatriz Ximenez
Luísa Souza Vietri
Geovana Duarte
Art Direction:
Henrique Matheus
Assistant Director:
Luiza Gonçalves
Camera Operator:
Thierry Vasques
Color Assistant:
Gustavo Bissoli
Director:
Ariel Rodrigues
Felipe Dreilick
Director of Photography:
Thais Siqueira
Editor:
Milena Tinen
Executive Producer:
Antônio Cortez
Gaffer:
Lucas Perossi
Lighting Production Assistant:
Klaus Oti
Music:
Marcelo Aquino
Production Director:
Janaína Felix
Danielle Ribeiro
Screenplay:
Ariel Rodrigues
Felipe Dreilick
Sound Assistant:
Rafael Bürger
Sound Designer:
Luana Di Angelo
Sound Recordist:
Danielle Ribeiro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.