A work in constant progress (and occasional regress).
Release Date:
November 8, 2023
Original Title:
Yasujirō Ozu, le cinéaste du bonheur
Alternate Titles:
Ozu, le cinéaste du bonheur
Yasujirô Ozu - Le cinéaste du bonheur
Genres:
Documentary
Production Companies:
ARTE GEIE
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 35
In the later part of his oeuvre, the famous Japanese filmmaker Yasujirō Ozu looks at the society of post-war Japan through family stories from the lower middle class. Arte has compiled a decalogy of 10 films from this period from the director's creative work. This short documentary film, created in this context, explains the film works using fragments of Ozu's notes, which he wrote between 1933 and 1963, elegant drawings and film clips. A fine insight into the themes and aesthetics of this moving cinema about intimacy and the passage of time and a fascinating journey into the moving final part of the Japanese master's work.
Commissioning Editor:
Dorit von Scharpen
Director:
Virginie Apiou
Editor:
Sylvère Kretzschmar
Producer:
Isabelle Girardin
Anne Seymour
Muriel Thiebac
Writer:
Virginie Apiou
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.