A work in constant progress (and occasional regress).
Release Date:
January 16, 2002
Original Title:
Les Amants du Nil
Production Companies:
CNC
Canal+
Classic SRL
Eurimages
Pandora Films
Paradis Films
Sofica Sofinergie 5
Production Countries:
France | Germany
Ratings / Certifications:
N/A
Runtime: 90
During the Second World War, in 1943, Anne Frendo, a young dreamer and artist, living alone with her father in Tunisia, discovers, by chance, the lifeless body of a French soldier, parachuted in. At the invitation of her aunt, Sophie Frendo, an Egyptologist, she sets out on a journey that leads her to Sfax, Egypt, taking with her a letter that the soldier had begun to write, and which seems to be intended for her.
Associate Producer:
Amedeo Pagani
Reinhard Brundig
Casting:
Frédérique Moidon
Costume Designer:
Carine Sarfati
Dialogue:
François-Olivier Rousseau
Director:
Éric Heumann
Director of Photography:
Giorgos Arvanitis
Editor:
Martine Barraqué
First Assistant Director:
Marc Baraduc
Key Hair Stylist:
Marie-France Thibault
Key Makeup Artist:
Thi Thanh Tu Nguyen
Location Manager:
Olivier Sarfati
Makeup Artist:
Christophe Giraud
Music:
Hubert Bougis
Producer:
Marc Sillam
Production Design:
Thierry Leproust
Production Manager:
Wilhelm Laligant
Script Supervisor:
Barbara Constantine
Second Assistant Director:
Catherine Hofer
Sound:
François Waledisch
Sound Editor:
Jean Gargonne
Sound Mixer:
Jean-Charles Martel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.