A work in constant progress (and occasional regress).
Release Date:
December 25, 1993
Original Title:
Tombstone
Alternate Titles:
Tombstone
Tombstone: La leyenda de Wyatt Earp
Σύγκρουση στον Πράσινο Βάλτο
Genres:
Action | Western
Production Companies:
Alphaville Films
Cinergi Pictures
Hollywood Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 16 CA: R CZ: 15+ DE: 16 ES: 18 GB: 15 GR: 16 HU: 16 NL: 12 PT: M/12 US: R
Runtime: 130
Legendary marshal Wyatt Earp, now a weary gunfighter, joins his brothers Morgan and Virgil to pursue their collective fortune in the thriving mining town of Tombstone. But Earp is forced to don a badge again and get help from his notorious pal Doc Holliday when a gang of renegade brigands and rustlers begins terrorizing the town.
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ADR Editor:
Ulrika Akander
Avram D. Gold
Donald Sylvester
ADR Supervisor:
George Berndt
Animal Wrangler:
Holly Edwards
Armorer:
Thell Reed
Art Department Coordinator:
Donna Colón
Nell Dickerson
Art Direction:
Chris Gorak
Kim Hix
Mark Worthington
Assistant Art Director:
Floyd Albee
Seth Reed
Assistant Costume Designer:
Janet Schriever
Assistant Editor:
Mark Eggenweiler
Laura Krumholz
Elvio Sordoni
Julie J. Webb
Assistant Set Decoration:
Carla Curry
Best Boy Grip:
Robert Hoelen
Boom Operator:
Paul Coogan
Camera Operator:
David E. Diano
Kristin R. Glover
Larry Orlick
Buzz Feitshans IV
Casting:
Lora Kennedy
Holly Hire
Choreographer:
Sabrina Vasquez
Color Timer:
Ray Martin
Construction Coordinator:
Bill Holmquist
Construction Foreman:
Eduardo H. Esparza
Jim McDonald
Aaron Newton
Costume Design:
Joseph A. Porro
Costume Supervisor:
Mary Hobin
Christi K. Work
Dialogue Editor:
Gordon Davidson
Michael Magill
Hugo Weng
Larry Mann
Duncan Burns
Director:
George P. Cosmatos
Director of Photography:
William A. Fraker
Dolly Grip:
Jerry L. Madore
Editor:
Harvey Rosenstock
Roberto Silvi
Frank J. Urioste
Executive Producer:
Buzz Feitshans
First Assistant Camera:
Michael J. Latino
First Assistant Director:
Adam C. Taylor
First Assistant Editor:
Julie Rogers
Foley:
Gary A. Hecker
Dan O'Connell
Alicia Stevenson
Zane D. Bruce
Foley Editor:
Phillip Linson
Christopher Flick
Nancy Richardson
Steve Richardson
Gaffer:
Mick McNeely
Key Grip:
Mark J. Rainsford
Key Hair Stylist:
Candy L. Walken
Key Set Costumer:
Maria Cittadini
Raquel Stewart
Leadman:
Robert Stover
Location Manager:
Lauren Ross
Makeup Artist:
Karen Dahl
Makeup Department Head:
David Atherton
Music Editor:
Patricia Carlin
Music Supervisor:
Randy Gerston
David Landau
Negative Cutter:
Donah Bassett
Original Music Composer:
Bruce Broughton
Producer:
Sean Daniel
James Jacks
Bob Misiorowski
Production Coordinator:
Patt McCurdy
Production Design:
Catherine Hardwicke
Property Master:
Michael Courville
Steven Melton
Publicist:
Patti Hawn
Screenplay:
Kevin Jarre
Script Supervisor:
Faith Conroy
Mary Wright
Second Assistant Camera:
William Ku
Second Assistant Director:
Matthew Feitshans
Conte Mark Matal
Second Second Assistant Director:
Vincent J. McEveety
Second Unit Director:
Terry Leonard
Second Unit Director of Photography:
Lenny Hirschfield
Second Unit First Assistant Director:
Robert E. Rody
Set Costumer:
Gina G. Aller
Layne Brightwell
Rani Cunningham
Lee Foy
Sanja Milković Hays
Nisa Kellner
Linda Ketchmark
Set Decoration:
Gene Serdena
Set Designer:
Tom Benson
Richard Prantis
Siobhan Roome
Set Medic:
Chris Swinney
Sound Re-Recording Mixer:
Rick Kline
Kevin O'Connell
Gregory H. Watkins
Special Effects Coordinator:
Dale L. Martin
Steadicam Operator:
Elizabeth Ziegler
Still Photographer:
John Bramley
Studio Teachers:
Cookie Knapp
Stunt Coordinator:
Terry Leonard
Stunts:
Danny Costa
Kip Farnsworth
Jimmy Ortega
Clint Lilley
Ben Scott
Supervising Sound Editor:
Jerry Ross
Title Designer:
Robert Dawson
Transportation Coordinator:
Jon Carpenter
Video Assist Operator:
Panos Cosmatos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.