A work in constant progress (and occasional regress).
Original Title:
Thanks to the Hard Work of the Elephants
Genres:
Drama
Production Companies:
CouKuma Productions
Harrington Studio
Studio 104 Entertainment
Surgent Studios
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 89
Two teenage boys escape incarceration while high on LSD. In the chaos, they steal the treatment centre van, driving 400 kilometres to a Walmart parking lot, determined to start an alternative youth commune in a nearby suburban forest.
Assistant Camera:
Nick Tang
Tarek Jad
Gio Lucero
Kenny McDonald
Assistant Location Manager:
Eddie Balogh
Casting Assistant:
Leah Valerie Galloway
Shaunesse Frontin-Holder
Casting Director:
Jesse Griffiths
Catering:
Food Group Catering
Cinematography:
Robert Mentov
Costume Assistant:
Prada Faraji
Alysha Babrah
Director:
Bryce Hodgson
Executive Producer:
Matt Kerr
Robert Montcalm
Charlie Kerr
Abubakar Salim
First Assistant Camera:
Vlad Rudakov
Foley Artist:
Jeff Luciani
Gaffer:
Chris Perkins
Key Grip:
Nathan MacKinnon
Location Manager:
Will Kinch
Location Sound Recordist:
Albert Quan
Producer:
Mike Johnston
Katia Shannon
Caitlyn Sponheimer
Production Assistant:
Kio Reid
Nathan Tsatskas
Production Coordinator:
Anna Zizys
Publicist:
Nicola Pender
Second Assistant Camera:
Ilse Moreno
Set Dresser:
Coal Dymock
Erika Vandermeulen
Sydney Hayward
Stunt Coordinator:
Jeff Hanson
Stunts:
Julia Dyan-Porter
John Fleming
Dan MacDonald
Writer:
Bryce Hodgson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.