A work in constant progress (and occasional regress).
Release Date:
May 26, 2013
Original Title:
Behind the Candelabra
Alternate Titles:
Detrás del candelabro
Dietro i candelabri
Liberace - Zu viel des Guten ist wundervoll
Ma vie avec Liberace
Por Detrás do Candelabro
Wielki Liberace
烛台之后
쇼를 사랑한 남자
Genres:
Drama | Romance
Production Companies:
HBO Films
Jerry Weintraub Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 CH: 12 DE: 12 DK: 11 GB: 15 GR: Κ-18 IE: 16 JP: PG12 KR: 18 NL: 12 PT: M/16 US: R
Runtime: 118
Based on the autobiographical novel, the tempestuous 6-year relationship between Liberace and his (much younger) lover, Scott Thorson, is recounted.
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Book:
Alex Thorleifson
Scott Thorson
Casting:
Carmen Cuba
Casting Assistant:
Julia Ballou
Casting Associate:
Wittney Horton
Costume Design:
Ellen Mirojnick
Director:
Steven Soderbergh
Director of Photography:
Steven Soderbergh
Editor:
Steven Soderbergh
Executive Producer:
Jerry Weintraub
First Assistant Director:
Gregory Jacobs
Hair Department Head:
Marie Larkin
Location Manager:
Caleb Duffy
Makeup Department Head:
Kate Biscoe
Medical Consultant:
Linda Klein
Original Music Composer:
Marvin Hamlisch
Post Production Supervisor:
David Kirchner
Producer:
Susan Ekins
Gregory Jacobs
Michael Polaire
Production Coordinator:
Selena Carrillo
Production Design:
Howard Cummings
Production Supervisor:
Julie M. Anderson
Screenplay:
Richard LaGravenese
Script Supervisor:
Annie Welles
Second Assistant Director:
Jody Spilkoman
Set Decoration:
Barbara Munch
Set Designer:
Greg Berry
Eric Sundahl
Sound Re-Recording Mixer:
Larry Blake
Stunt Double:
Michael Runyard
Supervising Art Director:
Patrick M. Sullivan
Supervising Sound Editor:
Larry Blake
Unit Production Manager:
Michael Polaire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.