A work in constant progress (and occasional regress).
Release Date:
October 21, 2023
Original Title:
Teach Me How to Cry
Genres:
Drama
Production Companies:
OneHouse Story Company
Swinburne Film and Television School
Production Countries:
Australia
Ratings / Certifications:
AU: M
Runtime: 18
Unable to tap into his emotions on stage, a middle-aged struggling actor is given one last chance to prove himself, and in turn, takes a class with an acting coach who promises to transform his performance.
Additional Director of Photography:
Daniel Shen
Assistant Production Design:
Bella Salvatore
Tannaz Shaabanpour
BTS Footage:
Andrew Whelan
BTS Photographer:
Natalie Tsembas
Best Boy Electric:
Andrew Whelan
Best Boy Lighting Technician:
Jordan Blanch
Boom Operator:
Ben J. Read
Spencer Cameron
Camera Operator:
Cameron Mitchell
Co-Producer:
Angela Lopez
Color Grading:
Jordan Blanch
Director:
Finegan Sampson
Director of Photography:
Cameron Mitchell
Editor:
Sara Riippa
First Assistant Camera:
Kieren Barber-Wilson
First Assistant Director:
Angela Lopez
Gaffer:
Nick Smith
Grip:
Daniel Smith
Lighting Coordinator:
Lachlan Hicks
Makeup & Hair:
Helen Magelaki
Justin Teague
Makeup & Hair Assistant:
Zoe Crawford
Producer:
Max Kearsley
Production Design:
Angela Lopez
Props:
Mark Wager
Score Engineer:
Brigitte Bardini
Finegan Sampson
Script Consultant:
Tadji Ulrich
Script Supervisor:
Tadji Ulrich
Second Assistant Camera:
Walter Mather
Andrew Whelan
Second Assistant Director:
Chloe Doumanis
Sound Designer:
Paul Baxter
Sound Recordist:
Leytton To
Still Photographer:
Olivia McGregor
Third Assistant Director:
Anthony Bougioukos
Wardrobe Master:
Jennifer Bennie
Writer:
Finegan Sampson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.