A work in constant progress (and occasional regress).
Featuring:
Diana Lorys, Paul Muller, Jack Taylor
Written by:
Jesús Franco
Josyane Gibert
Stephen G. Horatio
Directed by:
Jesús Franco
Release Date:
May 26, 1970
Original Title:
Les Cauchemars naissent la nuit
Alternate Titles:
Nachtmerries komen's nachts
Nightmares Come at Night
Sangre en la noche
Genres:
Drama | Horror | Thriller
Production Companies:
Prodif Ets.
Production Countries:
Liechtenstein
Ratings / Certifications:
N/A
Runtime: 83
Diana Lorys, Collette Jack and Soledad Miranda star in this sexy thriller about two alluring dancers, Cincia and Anne, who embark on an erotically charged partnership. But when Anne starts to have nightmares that feature her as a murderous killer, she begins to lose her grip on reality. Or is reality merely rearing its ugly head in her dreams? She's determined find out what's causing this turmoil before something deadly happens.
In Zagreb, the striper Anna de Istria works in a sleazy cabaret. She is seduced by the blonde Cynthia Robins that invites her to move to her house. Ana is disturbed by nightmares, where she kills a man with a spear, and Cynthia calls Dr. Paul Lucas to treat Ana. Meanwhile, a couple that lives in the house next door spies the movement in Cynthia's house.
Cinematography:
Manuel Merino
José Climent
Director:
Jesús Franco
Editor:
Nadia
Original Music Composer:
Bruno Nicolai
Producer:
Karl Heinz Mannchen
Robert de Nesle
Story:
Stephen G. Horatio
Writer:
Jesús Franco
Josyane Gibert
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.