A work in constant progress (and occasional regress).
Release Date:
August 17, 1990
Original Title:
喋血街頭
Alternate Titles:
Bala na Cabeça
Bullet in the Head
Die xue jie tou
Une Balle dans la tête
Пуля в голове
Genres:
Action | Crime | Thriller
Production Companies:
Golden Princess Film Productions
John Woo Film Production
Production Countries:
Hong Kong
Ratings / Certifications:
DE: 18 FR: 16 JP: R15+ KR: 15 NL: 16 US: NR
Runtime: 131
Three childhood friends from the slums of Hong Kong flee to war-time Saigon after accidentally murdering a gang leader, but their troubles only escalate.
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Action Director:
Lau Chi-Ho
Art Direction:
James Leung Wah-Sing
Assistant Art Director:
Chung Yee-Fung
Joel Chong Kwok-Wing
Assistant Editor:
Pang Chin-Kuen
Assistant Production Manager:
Ferrnand Aan Kwong-Hing
Wong Yuk-Ling
Chan Ying-Sim
Rolf Chow Chi-Sam
Tsim Heung-Yeung
Best Boy Lighting Technician:
Chan Chi-Lap
Costume Designer:
Bruce Yu
Costumer:
Tong Ping
Director:
John Woo
Director of Photography:
Wilson Chan Pui-Ka
Andy Lam Kwok-Wah
Chai Kittikum Som
Horace Wong Wing-Hang
Editor:
John Woo
First Assistant Director:
Anthony Wong Wing-Fai
Tang Chung-Kan
William Leung Chi-Ming
Focus Puller:
Yeung Si-Chin
Head Chow Kei-Sheung
Foley:
Ronny Ching Siu-Lung
Chan Kwok-Kwong
Chan Wai-Leung
Tang Tin-Lung
Ho Wai-Tak
Gaffer:
Wu Tin-Yan
Chik Kim-Kit
Hairstylist:
Chan Hoi-Loi
Cheng Wai-Fong
Wong Yau-Shing
Makeup Artist:
Man Yun-Ling
Cheng Wai-Fong
Jeng Fung-Ping
Original Music Composer:
Romeo Díaz
James Wong Jim
Post Production Producer:
Dave Lam Ching
Producer:
John Woo
Production Designer:
Patrick Leung Pak-Kin
Catherine Lau Ga-Wai
Production Manager:
Deannie Yiu Yat-Wah
Sam Hui Chi-Ho
Props:
Yang Shih-Cheng
Scenic Artist:
Wong Yin-Wai
Screenplay:
Patrick Leung Pak-Kin
Janet Chun Siu-Chun
Script Supervisor:
Janet Chun Siu-Chun
Second Assistant Director:
Lai Kai-Keung
Lee Gwok-Wai
Still Photographer:
Piggy Chan Kam-Chuen
Theme Song Performance:
Yolinda Yan Chor-Sin
Unit Manager:
Benny Tse Chi-Wah
Andy Chan Shing-Hung
Writer:
John Woo
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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