A work in constant progress (and occasional regress).
Release Date:
November 2, 1962
Original Title:
How the West Was Won
Alternate Titles:
A Conquista do Oeste
Das war der wilde Westen
La conquista del Oeste
The Great Western Story
서부 개척사
Genres:
Western
Production Companies:
Cinerama Productions
Metro-Goldwyn-Mayer
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 BE: 12 BR: L DE: 12 GB: PG IE: PG JP: G PT: M/12 SE: 15 US: G
Runtime: 164
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
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2005 #25 |
100 Years: FILM SCORES
25 Greatest Film Scores Of All Time |
Art Department Assistant:
Tyrus Wong
Art Direction:
William Ferrari
Addison Hehr
George W. Davis
Assistant Director:
Hank Moonjean
George Marshall Jr.
Robert Saunders
William McGarry
William Shanks
Wingate Smith
Camera Operator:
James V. King
Bill Johnson
Camera Technician:
Owen Marsh
Color Assistant:
Charles K. Hagedon
Conductor:
Alfred Newman
Robert Emmett Dolan
Robert Armbruster
Costume Design:
Walter Plunkett
Ron Talsky
Director:
Henry Hathaway
John Ford
George Marshall
Director of Photography:
William H. Daniels
Joseph LaShelle
Milton Krasner
Charles Lang
Editor:
Harold F. Kress
Editorial Consultant:
Charles K. Hagedon
Grip:
Pete G. Papanickolas
Hair Designer:
Jay Sebring
Hairstylist:
Sydney Guilaroff
Leadman:
Matty Azzarone
Lyricist:
Ken Darby
Sammy Cahn
Johnny Mercer
Makeup Artist:
John Truwe
Lynn F. Reynolds
Makeup Designer:
William Tuttle
Music Coordinator:
Robert Emmett Dolan
Musician:
Ethmer Roten
Uan Rasey
Louise Di Tullio
Vince De Rosa
Tommy Morgan
Carl Fortina
Robert Bain
Negative Cutter:
Mike Henry
Orchestrator:
Leo Shuken
Jack Hayes
Original Music Composer:
Alfred Newman
Other:
Joan Joseff
Painter:
Frank Wesselhoff
Producer:
Bernard Smith
Production Executive:
Abe Steinberg
Production Supervisor:
Abe Steinberg
Thomas Conroy
Recording Supervision:
Franklin Milton
Script Supervisor:
Michael Preece
Second Unit Director:
Richard Talmadge
Second Unit Director of Photography:
Harold E. Wellman
Set Costumer:
Robert Fuca
Set Decoration:
Jack Mills
Don Greenwood Jr.
Henry Grace
Sound Editor:
Harold Humbrock
John Lipow
Milo B. Lory
Carl Brandon
Kendrick Kinney
Van Allen James
Special Effects:
Lester Swartz
Special Effects Technician:
Bob Overbeck
Charles Schulthies
Special Guest Director:
Richard Thorpe
Stunt Coordinator:
Richard Talmadge
Stunt Double:
Chuck Roberson
Donna Hall
Loren Janes
Stunts:
Hal Needham
Ronnie Rondell Jr.
Troy Ward
John Epper
Richard Farnsworth
Donna Hall
Charles Horvath
Roy Jenson
Carl Pitti
Leroy Johnson
Joe Yrigoyen
Polly Burson
Loren Janes
Ted Mapes
Louise Montana
Bob Morgan
Frank Cordell
Boyd 'Red' Morgan
Gil Perkins
Chuck Hayward
Rusty Richards
Chuck Roberson
Autry Ward
Dean Smith
Ken Terrell
Rick Arnold
Everett Creach
Harvey Parry
Jack Williams
Sol Gorss
May Boss
Cliff Lyons
Danny Sands
Eddie Juaregui
Troy Melton
Dick Shane
Bob Terhune
Jerry Vance
Fred Graham
Al Carmichael
Jack N. Young
Supervising Sound Editor:
John Logan
Visual Effects:
Robert R. Hoag
A. Arnold Gillespie
Vocals:
Sally Stevens
Ken Darby
Paul Salamunovich
Dave Guard
Writer:
John Gay
James R. Webb
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.