How the West Was Won (1962) [G]

Release Date:
November 2, 1962

Original Title:
How the West Was Won

Alternate Titles:
A Conquista do Oeste
Das war der wilde Westen
La conquista del Oeste
The Great Western Story
서부 개척사

Genres:
Western

Production Companies:
Cinerama Productions
Metro-Goldwyn-Mayer

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  BE: 12  BR: L  DE: 12  GB: PG  IE: PG  JP: G  PT: M/12  SE: 15  US: G 

Runtime: 164

It's here! The mightiest adventure ever filmed!

The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)

2005
#25
100 Years: FILM SCORES
25 Greatest Film Scores Of All Time

Art Department Assistant:
Tyrus Wong

Art Direction:
William Ferrari
Addison Hehr
George W. Davis

Assistant Director:
Hank Moonjean
George Marshall Jr.
Robert Saunders
William McGarry
William Shanks
Wingate Smith

Camera Operator:
James V. King
Bill Johnson

Camera Technician:
Owen Marsh

Color Assistant:
Charles K. Hagedon

Conductor:
Alfred Newman
Robert Emmett Dolan
Robert Armbruster

Costume Design:
Walter Plunkett
Ron Talsky

Director:
Henry Hathaway
John Ford
George Marshall

Director of Photography:
William H. Daniels
Joseph LaShelle
Milton Krasner
Charles Lang

Editor:
Harold F. Kress

Editorial Consultant:
Charles K. Hagedon

Grip:
Pete G. Papanickolas

Hair Designer:
Jay Sebring

Hairstylist:
Sydney Guilaroff

Leadman:
Matty Azzarone

Lyricist:
Ken Darby
Sammy Cahn
Johnny Mercer

Makeup Artist:
John Truwe
Lynn F. Reynolds

Makeup Designer:
William Tuttle

Music Coordinator:
Robert Emmett Dolan

Musician:
Ethmer Roten
Uan Rasey
Louise Di Tullio
Vince De Rosa
Tommy Morgan
Carl Fortina
Robert Bain

Negative Cutter:
Mike Henry

Orchestrator:
Leo Shuken
Jack Hayes

Original Music Composer:
Alfred Newman

Other:
Joan Joseff

Painter:
Frank Wesselhoff

Producer:
Bernard Smith

Production Executive:
Abe Steinberg

Production Supervisor:
Abe Steinberg
Thomas Conroy

Recording Supervision:
Franklin Milton

Script Supervisor:
Michael Preece

Second Unit Director:
Richard Talmadge

Second Unit Director of Photography:
Harold E. Wellman

Set Costumer:
Robert Fuca

Set Decoration:
Jack Mills
Don Greenwood Jr.
Henry Grace

Sound Editor:
Harold Humbrock
John Lipow
Milo B. Lory
Carl Brandon
Kendrick Kinney
Van Allen James

Special Effects:
Lester Swartz

Special Effects Technician:
Bob Overbeck
Charles Schulthies

Special Guest Director:
Richard Thorpe

Stunt Coordinator:
Richard Talmadge

Stunt Double:
Chuck Roberson
Donna Hall
Loren Janes

Stunts:
Hal Needham
Ronnie Rondell Jr.
Troy Ward
John Epper
Richard Farnsworth
Donna Hall
Charles Horvath
Roy Jenson
Carl Pitti
Leroy Johnson
Joe Yrigoyen
Polly Burson
Loren Janes
Ted Mapes
Louise Montana
Bob Morgan
Frank Cordell
Boyd 'Red' Morgan
Gil Perkins
Chuck Hayward
Rusty Richards
Chuck Roberson
Autry Ward
Dean Smith
Ken Terrell
Rick Arnold
Everett Creach
Harvey Parry
Jack Williams
Sol Gorss
May Boss
Cliff Lyons
Danny Sands
Eddie Juaregui
Troy Melton
Dick Shane
Bob Terhune
Jerry Vance
Fred Graham
Al Carmichael
Jack N. Young

Supervising Sound Editor:
John Logan

Visual Effects:
Robert R. Hoag
A. Arnold Gillespie

Vocals:
Sally Stevens
Ken Darby
Paul Salamunovich
Dave Guard

Writer:
John Gay
James R. Webb

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.