A work in constant progress (and occasional regress).
Release Date:
September 5, 2012
Original Title:
Bait
Alternate Titles:
A csali
Bait 3D
Bait 3D - Haie im Supermarkt
Shark 3D
W szczękach rekina
Цунами 3D
Genres:
Horror
Production Companies:
Bait Productions
Blackmagic Design Films
Media Development Authority (MDA)
Pictures in Paradise
Screen Australia
Screen Queensland
Story Bridge Films
Production Countries:
Australia | Singapore
Ratings / Certifications:
BE: 16 DE: 16 FR: 12 GB: 15 IE: 15 JP: R15+ NL: 16 SE: 15 SK: 15
Runtime: 93
A freak tsunami traps shoppers at a coastal Australian supermarket inside the building ... along with a 12-foot great white shark.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Wayne Osborne
Animation Supervisor:
Grant Harris
Animatronics Designer:
James Paul
Grant Lehmann
Armorer:
Allan Mowbray
Art Department Coordinator:
Leanne Brooks
Art Direction:
Jenny O'Connell
Best Boy Electrician:
Grant Wilson
Best Boy Grip:
Andy Smith
CG Artist:
Erik Charlebois
Konstantin Kovalenko
Jongsu Oh
Mo Xueying
Aaron Briggs
Wei Gang
Ng Leong Wei
Robert Stollar
Nicolas Borel
Chris Breeze
Warren Shepherd
Bylan Neill
Shengyuan Wang
Sebastian Ravagnani
Rakitha Vithanage
Vincent Yoe
CG Supervisor:
Ian Dodman
Camera Operator:
Greg Gilbert
Calum McFarlane
Casting:
Ben Parkinson
Matthew Lessall
Casting Assistant:
Stefanie Parry
Compositor:
Keith Seah
Troy Darben
Ziig Yee
Brad Dunn
Construction Coordinator:
Ross Clarke
Construction Manager:
John Rann
Costume Assistant:
Jaspar Goodman
Costume Design:
Phil Eagles
Costume Standby:
Amy Mitchell
Amanda Enders
Dialect Coach:
Paige Walker
Dialogue Editor:
Tony Murtagh
Digital Compositor:
Randy Vellacott
Garth O'Bryan
Blake Muir
Digital Imaging Technician:
Lukas Davidson
Director:
Kimble Rendall
Director of Photography:
Ross Emery
Dolly Grip:
Matt Copping
Editor:
Rodrigo Balart
Electrician:
Che McGuinness
Chris Walsingham
Sam McKinnon
David Ludlow
Matt Willis
Peter Chittleborough
Patrice Roblin
Epk Camera Operator:
Casper McCallum
Extras Casting:
Bud Hopes
First Assistant Camera:
Scott Dolan
Ricky Schamburg
First Assistant Director:
Jamie Crooks
First Assistant Editor:
Joe Lancaster
Foley:
Mario Vaccaro
Adam Connelly
Gaffer:
Paul Johnstone
Mark Watson
Graphic Designer:
George Kabot
Grip:
Marcus Ballantine
Hair Designer:
Shane Thomas
Key Grip:
Toby Copping
Greg Tidman
Key Makeup Artist:
Shane Thomas
Key Rigging Grip:
David Thomson
Location Manager:
Duncan Jones
Main Title Designer:
Elena Ho
Makeup & Hair:
Wizzy Molineaux
Jennifer Stanfield
Martina Byrne
Makeup & Hair Assistant:
Tia Stephanou
Makeup Effects Designer:
Steven Boyle
Music Editor:
James Ezra
Craig Beckett
Online Editor:
Stuart Monksfield
Painter:
Michael Bennett
Ray Bentzen
Producer:
Peter Barber
Todd Fellman
Gary Hamilton
Production Coordinator:
Judy Hallin
Production Design:
Nicholas McCallum
Prop Maker:
Barry Thompson
Prosthetic Supervisor:
Samantha Lyttle
Scenic Artist:
Robert Bull
Screenplay:
John Kim
Russell Mulcahy
Script Supervisor:
Antoinette O'Neill
Second Assistant Camera:
Robbie MacKinnon
Set Costumer:
Tanya Woelfle
Set Decoration:
Suzy Whitefield
Set Designer:
Jim Millett
Kaus Kastberg
Set Dresser:
Jac Charlton
Simon Gill
Sound Designer:
Steve Burgess
Robert Mackenzie
Sound Effects Editor:
Peter Climpson
Steve Burgess
Sound Recordist:
Craig Walmsley
Special Effects Supervisor:
Angelo Sahin
Still Photographer:
Ben Timony
Storyboard Artist:
Graeme Callander
Stunt Coordinator:
John Walton
Mitch Deans
Stunts:
Yasushi Asaya
Supervising Producer:
Michael Lake
Techno Crane Operator:
Chris Hansford
Visual Effects Art Director:
Timothy Clark
Visual Effects Coordinator:
Tania Wu
Helen Kok
Visual Effects Editor:
Simon Tan
Visual Effects Producer:
Angus Reid
Visual Effects Supervisor:
James Rogers
Grant Everett
Marc Varisco
Writer:
S.P. Krause
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.