until then (????) [N/A]

Original Title:
mientras tanto

Ratings / Certifications:
 N/A

Runtime: 20

Just as she was about to give up on her pursuit of companionship, traumatized, nine-year-old Sol meets and befriends a forest spirit on her tenth birthday, making way for an exploration of healing, identity, and desire in the remaining days before she enters a new school.

Additional information:

The Search Form


Animation:
Aaron Alsol

Art Direction:
Job Constantino

Assistant Camera:
Nic Fabian

Assistant Director:
Claudia Michelle Fernando

Assistant Production Manager:
Deanne Bernal

Assistant Sound Designer:
Margana Minglana

Camera Operator:
Daniel Chicombing

Co-Executive Producer:
Emery Alexis M. Tomboc
Jonathan Tal Placido

Colorist:
Adrielle Esteban

Continuity:
Toni Cañete

Creative Consultant:
Ryner Viray
Toni Cañete
Richard Bolisay
Joker Manio
Adjani Arumpac

Director:
Maki Makilan

Director of Photography:
Maki Makilan
Moore Minglana

Editor:
Maki Makilan
Kim Louise Gonzales

Executive Producer:
Al Gerard Makilan
Ma. Regina Dalisay
Ma. Sol Makilan
Noel Makilan

Gaffer:
Jeb Agulto

Location Manager:
Ryner Viray

Producer:
Pat Pamintuan
Intersect

Production Design:
Josiah Hiponia
Zara Loayon

Production Manager:
Shaira Molto

Set Propsman:
Nestor Ojero

Sound Engineer:
Alexis J. Tomboc

Sound Recordist:
Emery Alexis M. Tomboc

Writer:
Maki Makilan

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.