A work in constant progress (and occasional regress).
Release Date:
December 13, 2002
Original Title:
The Hot Chick
Alternate Titles:
Este Cuerpo no es Mio
Este cuerpo no es el mío
Este cuerpo no es mío
Goreshto matse
Hot chick - Kaunotar ja könsikäs
Kafti kai... antras
Miss populaire
Tsiponʹka
Tsypochka
ホット・チック
핫칙
Genres:
Comedy | Fantasy
Production Companies:
Happy Madison Productions
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 16 CZ: U DE: 12 DK: 15 FR: U HU: 12 IE: 15 KR: 15 MX: B NL: 14 NO: 12 RU: 16+ SE: 15 SK: 12 US: PG-13
Runtime: 104
Not only is Jessica Spencer the most popular girl in school -- she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.
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24 Frame Playback:
Ralph Merzbach
ADR Editor:
Cameron Steenhagen
ADR Recordist:
David Yonson
Additional Second Assistant Director:
Mark Avery
Ager/Dyer:
Tyra Youland
Art Department Coordinator:
Ivonne Olguin
Art Direction:
Tom Frohling
Assistant Camera:
Andrew Osborne
Assistant Director:
Hope Garrison
Assistant Editor:
Jeff Williams
Assistant Production Coordinator:
Christopher K. Grap
Assistant Property Master:
Scott W. Leslie
Associate Producer:
Robin Mulcahy Fisichella
Best Boy Electric:
Matt Bardocz
Boom Operator:
Tom Hartig
CG Supervisor:
Mike Hardison
Camera Loader:
Michael D. Alvarez
Camera Operator:
Jeffrey Greeley
Casting:
Gail Goldberg
Donna Morong
Marcia Ross
Casting Assistant:
Nadia Aleyd
Casting Associate:
Nicole Hilliard-Forde
Casting Coordinator:
Kate Lacey
Choreographer:
Tony Gonzalez
Co-Producer:
Ian Maxtone-Graham
Nathan Talbert Reimann
Color Timer:
Jeff Smithwick
Construction Coordinator:
Erich W. Schultz
Costume Design:
Alix Friedberg
Costume Supervisor:
Deborah Hall
Costumer:
Celeste LaChance
Decorator:
Sharon Speller
Dialogue Editor:
Robert Jackson
Digital Compositor:
Patrick Flanagan
Digital Effects Supervisor:
Reid Paul
Director:
Tom Brady
Director of Photography:
Tim Suhrstedt
Dolly Grip:
Bill Daimant
Driver:
J. Armin Garza II
Editor:
Peck Prior
Editorial Production Assistant:
Julian Smirke
Electrician:
Shane Buttle
Executive Producer:
Jack Giarraputo
Adam Sandler
Guy Riedel
Extras Casting:
David Anthony
First Assistant Accountant:
Tiffany Fraser
First Assistant Camera:
Mark Figueroa
First Assistant Director:
Cara Giallanza
First Assistant Editor:
Sandy S. Solowitz
First Assistant Sound Editor:
Clayton Weber
Foley Artist:
Monique Reymond
Gaffer:
Paul McIlvaine
Grip:
Josh Denering
Hair Department Head:
Larry Waggoner
Hairstylist:
Emjay Olson
Key Grip:
Darwin Montana Browne
Key Hair Stylist:
KG Ramsey
Key Makeup Artist:
Carme Tenuta
Key Rigging Grip:
Mark Vollmer
Leadman:
Shane Reed
Lighting Technician:
John Bratlien
Location Manager:
Paul Schreiber
Makeup Artist:
Corina C. Duran-Rabichuk
Makeup Department Head:
Rose Librizzi
Music Coordinator:
Jessica Clements
Music Editor:
Dan DiPrima
Music Supervisor:
Peter Afterman
Musician:
George Doering
Orchestrator:
Frank Bennett
Original Music Composer:
John Debney
Painter:
Paulette Fox
Payroll Accountant:
Timber Kislan
Picture Car Coordinator:
Jim Moores
Post Production Coordinator:
Matt Evans
Producer:
Carr D'Angelo
John Schneider
Production Accountant:
John C. Kruize
Production Assistant:
Angela Athayde
Production Coordinator:
Kelly Moran-Brown
Production Design:
Marc Fisichella
Production Secretary:
Bryan S. Sexton
Production Sound Mixer:
Mark Ulano
Property Master:
Max E. Brehme
Propmaker:
Cesar Orozco
Rigging Gaffer:
Brian Cantrell
Rigging Grip:
R. Michael Stringer
Scenic Artist:
Eric Reichardt
Sculptor:
James Van Houten
Second Assistant Accountant:
Rudy Coblentz Jr.
Second Assistant Camera:
Chris Cuevas
Second Assistant Director:
John P. Aguirre
Second Unit Director:
Gregg Smrz
Set Decoration:
Jon Danniells
Set Decoration Buyer:
Peggy Casey
Set Designer:
Camille M. Bratkowski
Set Dresser:
Tim Fassino
Set Medic:
Alex Barnoya
Sound Editor:
Josh Egnew
Sound Effects Editor:
Orada Jusatayanond
Sound Re-Recording Mixer:
Keith Rogers
Sound Recordist:
Randolph Saucedo
Special Effects Coordinator:
John C. Hartigan
Special Effects Technician:
Jerry Miscevich
Stand In:
Cashalà L'Shauntyelle
Steadicam Operator:
Lawrence Karman
Storyboard Artist:
Robin Richesson
Studio Teachers:
Lisa Nichols
Stunt Coordinator:
Gregg Smrz
Stunt Double:
Gloria O'Brien
Cinda-Lin James
Lisa Hoyle
Heidi Moneymaker
Nicole Randall
Christopher 'Critter' Antonucci
Darlene Ava Williams
Dustin Meier
Gary Guercio
Dartenea Bryant
Casey Easlick
Stunts:
Paul E. Short
Steve Kelso
Marijane Cole
Eliza Coleman
Myke Schwartz
Terry Notary
Supervising Sound Editor:
David Bach
Transportation Captain:
Krister C. Johnson
Transportation Coordinator:
James Lowder
Unit Production Manager:
Udi Nedivi
Unit Publicist:
Deborah Simmrin
Utility Sound:
Adam Blantz
Utility Stunts:
Jim Stephan
Video Assist Operator:
Scott Crabbe
Visual Effects:
Clay Dale
Visual Effects Coordinator:
Jana Spotts
Visual Effects Supervisor:
Ray McIntyre Jr.
Writer:
Tom Brady
Rob Schneider
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.