A work in constant progress (and occasional regress).
Release Date:
September 10, 2003
Original Title:
The Bread Maker
Genres:
Comedy | Drama | Romance
Production Companies:
Kickham East Productions
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 82
Honey Reddigan is a celebrity at the Sweet Bea baking factory. She has just published her first romance novel, Carmen the Bee Keeper's Lover. Carmen, Honey's fictional heroine, is everything Honey ain't. In walks Edmund Goobie—a charming, commitment-phobic local TV personality. They begin a hot affair that quickly approaches relationship status. But happily-ever-after is not in the cards for this quirky couple. The affair comes to an end when they purchase a bread maker together and realize that they want different things. The monumental fight over the appliance forces Honey to change her life.
Art Direction:
Shelley Cornick
Associate Producer:
John Vatcher
Best Boy Grip:
Jason Andrews
Boom Operator:
Kelly Nelmes
Carpenter:
Paul Wade
Casting:
Michelle Jackson
Cinematography:
François Dagenais
Costume Design:
Jaqueline Ryan
Director:
Anita Reilly McGee
Editor:
Lyly Fortin
First Assistant Camera:
Jamie Lewis
First Assistant Director:
Noel Harris
Paul Pope
First Assistant Editor:
Anna Petras
Gaffer:
Jason Andrews
David Reilly IV
Key Hair Stylist:
Terry Andrews
Key Makeup Artist:
Dorothy Martin
Music:
Jody Richardson
Music Arranger:
Mark Neary
On Set Dresser:
Tim Aucoin
Producer:
Anita Reilly McGee
Jennice Ripley
Production Accountant:
Jill Knox-Gosse
Production Design:
Patricia Christie
Production Manager:
Baptiste Neis
Production Secretary:
Vicky Hynes
Script Supervisor:
Lyly Fortin
Second Assistant Director:
Kelly Stone
Second Unit Director of Photography:
Ellie Yonova
Set Decoration:
Kelly Bruton
Derek Norman
Sound:
Tom Ronan
Brad Stone
Sound Mixer:
John Hazen
Jan Rudy
Unit Manager:
Lynn Andrews
Sherri Levesque
Writer:
Sherry White
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.