A work in constant progress (and occasional regress).
Release Date:
September 26, 2023
Original Title:
Общественное достояние
Genres:
Documentary
Production Countries:
Russia
Ratings / Certifications:
N/A
Res communis omnium is a Roman law term that defined things that by their nature are of universal human value - such as land, air. The concept has retained its relevance in international law. When the copyright on a work expires, it goes into the public domain (the more relevant modern term is public domain). Based on an analysis of the creativity of over 500 artists, writers, composers, architects, researchers from all over the world, whose works have ceased to be legally protected by copyright since 2022 (50-60-70-80 years after the death of the authors), we are trying to musically and poetically form to re-read what we got into the public domain at this critical time. It turns out. a kind of time capsule, the works were created over half a century ago,
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.