A work in constant progress (and occasional regress).
Release Date:
September 13, 2004
Original Title:
Wimbledon
Alternate Titles:
Divoká karta
La Plus belle victoire
Wimbledon: El amor está en juego
Уимблдон
網住愛情
윔블던
Genres:
Comedy | Romance
Production Companies:
Working Title Films
Production Countries:
United Kingdom
Ratings / Certifications:
AT: AA BR: 12 CH: 12 DE: 12 FR: TP GB: 12A HU: 12 IE: 12A IT: T JP: PG12 NO: A PL: 12 SE: 7 SK: 12 US: PG-13
Runtime: 98
Britain’s Peter Colt has never quite lived up to his dreams of tennis stardom. Once ranked as high as number 11 in the world, the journeyman veteran has watched his number slip to 119 as his confidence on the court slowly ebbs away. Now, on the eve of his leaving the world of professional tennis, he’s granted a wild card, allowing him to play his final Wimbledon tournament…make that his final tournament ever.
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ADR Editor:
Daniel Laurie
ADR Voice Casting:
Abigail Barbier
Louis Elman
Additional Casting:
Joanna Colbert
Additional Photography:
Martin Kenzie
Art Department Coordinator:
Sally Ross
Art Direction:
John King
Assistant Costume Designer:
Nadia Dunn-Hill
Assistant Location Manager:
Sarah Shepherd
Assistant Production Coordinator:
Tony Davis
Assistant Sound Editor:
Sam Auguste
Camera Operator:
Mike Proudfoot
Casting:
Irene Lamb
Casting Assistant:
Emily Craig
Casting Associate:
Rich Mento
Colorist:
Max Horton
Construction Coordinator:
Marj Joscelyne
Construction Manager:
Jack Carter
Costume Design:
Louise Stjernsward
Dialogue Editor:
Nigel Mills
Daniel Laurie
Director:
Richard Loncraine
Director of Photography:
Darius Khondji
Dressing Prop:
Les Benson
Editor:
Humphrey Dixon
Executive In Charge Of Production:
Michelle Wright
Executive Producer:
Debra Hayward
David Livingstone
Finance:
Michele Tandy
First Assistant Accountant:
Penny Reiffer
First Assistant Camera:
Robert Dibble
First Assistant Director:
Richard Whelan
First Assistant Editor:
Billy A. Campbell
Foley Artist:
Andie Derrick
Peter Burgis
Foley Editor:
Arthur Graley
Foley Mixer:
Nigel Heath
Gaffer:
Alex Scott
Hair Designer:
Liz Tagg
Hairstylist:
Veronica McAleer
Noriko Watanabe
Christine Greenwood
Julie Thom
Julia Laderman
Key Grip:
Bill Geddes
Location Manager:
Adam Richards
Makeup Artist:
Noriko Watanabe
Veronica McAleer
Julia Laderman
Julie Thom
Christine Greenwood
Makeup Designer:
Liz Tagg
Music Consultant:
Kirsten Lane
Music Coordinator:
Alexandra Hill
Music Editor:
Graham Sutton
Music Supervisor:
Nick Angel
Online Editor:
Thomas Urbye
Pat Wintersgill
Richard Etchells
Original Music Composer:
Edward Shearmur
Post Production Accountant:
Tarn Harper
Post Production Supervisor:
Tania Blunden
Producer:
Tim Bevan
Liza Chasin
Mary Richards
Eric Fellner
Production Coordinator:
Winnie Wishart
Production Design:
Brian Morris
Production Executive:
Sarah-Jane Robinson
Production Manager:
Jeremy Johns
Sara Desmond
Property Master:
John Allenby
Script Supervisor:
Beverly Winston
Second Assistant Camera:
René Adefarasin
Second Assistant Director:
Tamana Bleasdale
Second Unit Director:
Martin Kenzie
Second Unit Director of Photography:
Martin Kenzie
Set Decoration:
Caroline Cobbold
Sound Effects Editor:
Steve Mayer
Sound Mixer:
David Stephenson
Sound Re-Recording Mixer:
Tim Cavagin
Steve Single
Standby Art Director:
Jan Spoczynski
Still Photographer:
Laurie Sparham
Stephen Morley
Oliver Upton
Stunt Coordinator:
Jim Dowdall
Marc Cass
Ray De-Haan
David Forman
Stunts:
Andy Godbold
Andy Bennett
James O'Donnell
George Cottle
Kim McGarrity
Supervising Art Director:
Tony Halton
Supervising Sound Editor:
Campbell Askew
Third Assistant Director:
Vicki Allen
Transportation Captain:
Roy Clarke
Unit Manager:
Claire Tovey
Unit Publicist:
Sarah Clark
Visual Effects Coordinator:
Gemma Thompson
Visual Effects Editor:
Jabez Olssen
Visual Effects Producer:
Stefan Drury
Visual Effects Supervisor:
Richard Stammers
Wardrobe Supervisor:
Suzy Freeman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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