A work in constant progress (and occasional regress).
Release Date:
January 15, 2019
Original Title:
The Neal Morse Band – Live In Limbourg
Ratings / Certifications:
N/A
Experience The Neal Morse Band’s epic performance of their triumphant double-album, The Similitude of a Dream, live in Limbourg. TRACKLIST: Chapter 1: 1. Long Day 2. Overture 3. The Dream 4. City of Destruction 5. We Have Got to Go 6. Makes No Sense 7. Draw the Line 8. The Slough 9. Back to the City 10. The Ways of a Fool 11. So Far Gone 12. Breath of Angels Chapter 2: 1. Slave to Your Mind 2. Shortcut to Salvation 3. The Man in the Iron Cage 4. The Road Called Home 5. Sloth 6. Freedom Song 7. I’m Running 8. The Mask 9. Confrontation 10. The Battle 11. Broken Sky / Long Day (Reprise) Encores 12. Agenda 13. The Call
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.