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Last Monday (2010) [N/A]

Release Date:
April 7, 2010

Original Title:
Last Monday

Genres:
Comedy

Production Companies:
2BAD4U Productions
TGIM Productions

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 20

Overview from TheMovieDB

Every Monday evening Alan and Bob sit at Kelly's bar embellishing on their secret unhappy lives, while flirting with the stunning bartender, Cheryl. The diluted dreamers struggle to save face when a high profile attorney enters their sanctuary, armed with an eye for detail and a dose of reality.

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Additional information:

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Performers

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Production

Associate Producer:
Dylan Taylor

Boom Operator:
T.J. Stevenson

Cinematography:
Kelvin Preena

Director:
Noah R. Taylor

Editor:
Noah R. Taylor

First Assistant Director:
Elizabeth Lofranco

Post Production Supervisor:
Steve Kelly

Producer:
Larry Bain

Sound Designer:
Luke Fountain

Writer:
Tom Mednick
Dylan Taylor
Noah R. Taylor

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.