A work in constant progress (and occasional regress).
Original Title:
O ovo
Ratings / Certifications:
N/A
Runtime: 1
Lygia Pape created O ovo in 1967 and showed it in the group exhibition Apocalipopótese, held at Aterro de Flamengo in Rio de Janeiro in 1969. The work consisted of three cubes made of wooden boards, with each side covered with a layer of blue, red, or white plastic film. The participant would enter the structure through the open bottom side of the cube and push the film/skin in order to simulate the act of being born. Before showing the work, the artist herself entered one of the cubes. She described her experience: "You are trapped inside, covered by a sort of membrane; when you push on it with your hand, the membrane starts to give and suddenly tears, and so you are born: you stick your head out of the hole and roll on out." After the military coup d'état in Brazil in 1964, Pape devoted most of her practice to film and continued to make experimental films into the 1970s.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.