A work in constant progress (and occasional regress).
Release Date:
September 15, 2023
Original Title:
The Gaze
Genres:
Documentary
Production Companies:
NIFCO
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 9
Ginok Song, a South Korean artist living and painting in a small fishing village in Newfoundland, explores what home is, who she was, and where she is now. Ginok examines the choice to become an artist as a need to explore self-expression, an intimate journey to know herself through the female gaze.
Cinematography:
Duncan De Young
Colorist:
Steve Cook
Dailies Manager:
Laura Alexander
Director:
Stacy Gardner
Editor:
Steve Cook
Justin Simms
Music:
Ian Foster
Producer:
Stacy Gardner
Vaida Nairn
Production Assistant:
Leona Rockwood
Sound Editor:
Glen Noseworthy
Sound Mixer:
Glen Noseworthy
Sound Recordist:
Dakota Quinn
Still Photographer:
Leona Rockwood
Writer:
Stacy Gardner
Vaida Nairn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.