A work in constant progress (and occasional regress).
Release Date:
March 23, 2024
Original Title:
WaaPaKe
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 80
WaaPaKe is a story about resilience, love and transformation. Examined through an Indigenous lens, the stories of residential school Survivor-Warriors and their families offer an understanding of both intergenerational trauma and healing. We are taken to a studio set-up in front of a green screen. Through compassionate, candid conversations, Jules Koostatchin shares interviews with five individuals, family and friends, that all directly or indirectly experienced intergenerational trauma.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Photography:
Cameron Watts
Asivak Koostachin
Administration:
Carla Jones
Camera Operator:
Cameron Watts
Colorist:
Serge Verreault
Dialogue Editor:
Andrea Velarde Mosquera
Director:
Jules Arita Koostachin
Director of Photography:
Michael Bourquin
Editor:
Jessica Dymond
Executive Producer:
Shirley Vercruysse
Graphic Designer:
James Monkman
Bun Lee
Grip:
Joey Aleck
Line Producer:
Jennifer Roworth
Makeup & Hair:
Sheleah Bradley
Courtney Yellow-Quill
Original Music Composer:
Justin Delorme
Producer:
Teri Snelgrove
Production Assistant:
Alexandra Knowles
Sarah Kelley
Mike Nichols
Richard Wilson
Bárbara Rafaela Guimaraes Costa
Production Coordinator:
Nathan Conchie
Jas Calcitas
Maddy Chang
Production Designer:
Yolonda Skelton
Production Manager:
Angie Nolan
Researcher:
Erika MacPherson
Angie Nolan
Sound Designer:
Humberto Corte
Sound Re-Recording Mixer:
Isabelle Lussier
Sound Recordist:
Ramsay Bourquin
Kaitlyn Redcrow
Technical Supervisor:
Wes Machnikowski
Title Designer:
James Monkman
Writer:
Jules Arita Koostachin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.