A work in constant progress (and occasional regress).
Release Date:
October 1, 2023
Original Title:
Carson Bigbee: The Pirate of America's Pastime
Genres:
Documentary
Production Companies:
El Dorado Films
Veteran Documentary Corps
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 10
In a time when America was on the brink of modernization, Carson "Skeeter" Bigbee emerged from rural Oregon to become an embodiment of national transformation. Born to working parents in 1895, Bigbee’s life as a multi-sport athlete, a baseball star with the Pittsburgh Pirates, a World War I enlistee, and a World Series hero, intersected with America's Progressive Era, the electrification of society, the First World War, and the onset of the Great Depression. His story, from hitting the decisive run in the 1925 World Series to managing in the American Girls Professional Baseball League, is a poignant reflection of ambition, patriotism, and the resilient spirit of an ever-changing nation in the early 20th Century.
Colorist:
Joshua Cardenas
Consulting Producer:
Trevor Getz
Director:
Robert Barbarino
Editor:
Robert Barbarino
First Assistant "A" Camera:
Isaac Billanfante
Line Producer:
Birdy Wei-Ting Hung
Post Production Supervisor:
Jesse Collier Sutterley
Producer:
Daniel L. Bernardi
Sound Designer:
Dan Olmsted
Sound Mixer:
Dan Olmsted
Writer:
Robert Barbarino
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.