A work in constant progress (and occasional regress).
Release Date:
July 3, 2024
Original Title:
Spieleabend
Genres:
Comedy | Romance | Thriller
Production Companies:
Wiedemann & Berg Television
Production Countries:
Germany
Ratings / Certifications:
DE: 12 PR: R SG: M18 US: R VI: R
Runtime: 92
Pia and Jan have just fallen in love and arranged to meet Pia's friends for a game night. Jan meets Pia's friends for the first time and is under pressure to make the perfect first impression. When Pia's ex-boyfriend shows up and even Jan's buddy's tips can't save anything, everything is at stake: the relationship, the friendship, and the definition of truth.
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"B" Camera Operator:
Yoshua Berkowitz
Additional Grip:
Aaron Schwarzer
Christoffer Schulz
Additional Lighting Technician:
Robert Bergmann
Eva Dürholt
Simon C. Rainer
Heiko Rother
Thomas Kyriases
Udo Heinz
Additional Writing:
Andrej Sorin
Art Department Coordinator:
Sandra Fleischer
Art Direction:
Thomas Göldner
Assistant Art Director:
Stefanie Übelhör
Assistant Costume Designer:
Karmen Kaplick
Yamay Blanco
Assistant Editor:
Sam Pluemacher
Assistant Grip:
Julius Kniffki
Assistant Property Master:
Fam Johnsen
Assistant Set Decoration:
Iraí Amana Martins de Souza
Assistant Set Propsman:
Theresa Lausenmeyer
Assistant Unit Manager:
Anthony Mohamed
Jennifer Cassel
Best Boy Lighting Technician:
André Poser
Camera Trainee:
Friedrich Kreyenberg
Casting Director:
Alexandra Koknat
Construction Manager:
Tobias Bergner
Christoph Klose
Costume Design:
Filiz Ertas
Director:
Marco Petry
Director of Photography:
Marc Achenbach
Dresser:
Emily Schumann
Drone Cinematographer:
Fabio Spitzenberg
Drone Pilot:
Florian Felix Reeh
Editor:
Knut Hake
Electrician:
Alexander Schwarz
Karsten Tietz
Executive Producer:
Quirin Berg
Max Wiedemann
First Assistant "A" Camera:
Patrick Goetz
First Assistant "B" Camera:
Florian Bellack
First Assistant Director:
Madli Moos
Gaffer:
Thorge Horstmann
Graphic Designer:
Barbara Dezasse
Greensman:
Lothar Riedrich
Grip:
Nicolas Damseaux
Health and Safety:
Axel Dietrich Berger
Lighting Technician:
Sina Blume
Tilo Glawe
Line Producer:
David Vogt
Gretha Heisig
Location Scout:
Tobias Palmer
Makeup & Hair:
Andrea Allroggen
Makeup Artist:
Jana Dietz
Nadine Vieker
Post Production Supervisor:
Sven Nuri
Producer:
Hannah Leuze
Marcus Welke
Production Accountant:
Bernd Hein
Angelika Hein
Julia Lenzinger
Production Assistant:
Jasmin Waters
Laura Dorn
Elisa Hengen
Production Coordinator:
Mayra Magalhães
Isabel Nothelfer
Production Design:
Theresia Anna Ficus
Production Driver:
Malte Mann
Christian Kessner
O'Neil Sharma
Jan Zingler
Brendan Rousseau
Production Manager:
Wolfgang Bajorat
Property Master:
Ralf Strohschein
Public Relations:
Natalie Proske
Wiebke Döhla
Script Supervisor:
Falk Schwalbe
Second Assistant "A" Camera:
Dung N. Pham
Second Assistant Director:
Frederik Jahn
Second Assistant Director Trainee:
Tony Pratsch
Set Decoration:
Denise Baron
Set Decoration Buyer:
Catharina Zopf
Set Dresser:
Hervé Berthou
Till Bork
Naranbat Batzorig
Ludwig Schult
Set Medic:
Max Grosch
Michael Hörselmann
Set Propsman:
Stefan Henkes
Set Runner:
Jule Ahrens
Armin Reszler
Sound:
Bernhard Joest
Sound Assistant:
Mirko Höpfner
Steadicam Operator:
Yoshua Berkowitz
Still Photographer:
Sasha Ostrov
Unit Manager:
Thomas Jentsch
Pierre Eisenhut
Denis Küper
Visual Effects:
Nils-Gunnar Bleeck
Visual Effects Supervisor:
Denis Behnke
Volkhart Buff
Wardrobe Master:
Indira Dey
Writer:
Claudius Pläging
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.