A work in constant progress (and occasional regress).
Release Date:
February 7, 2019
Original Title:
Always Going Never Gone
Genres:
Drama | Fantasy
Production Companies:
Eye Figure Film
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 11
A folklorist is summoned by the last living soul of a forgotten community to witness a folktale transform into a terrifying reality.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Accountant:
Lori Van Thiel
Art Direction:
Ane Christensen
Assistant Art Director:
John McClusky
Boom Operator:
Mike Simms
Camera Operator:
Duncan De Young
Camera Trainee:
Nick Noseworthy
Colorist:
Aaron Elliott
Costume Design:
Christine Kenny
Dialogue Editor:
Paul Steffler
Digital Imaging Technician:
Aaron Elliott
Director:
Wanda Nolan
Director of Photography:
Duncan De Young
Dolly Grip:
Jason Andrews
Editor:
Justin Simms
Executive Producer:
Wanda Nolan
First Assistant Camera:
Nick Jackson
First Assistant Director:
Erin French
Foley Artist:
Hilary Thomson
Foley Recordist:
Josh White
Gaffer:
Jeff Baggs
Key Grip:
Sean Doran
Key Makeup Artist:
Skye Tostowaryk
Location Manager:
Andrew Strickland
Location Production Assistant:
Myles Reichel
Music:
Sarah Harris
Online Editor:
Steve Cook
Producer:
Kerri Mattie
Production Design:
Ane Christensen
Production Designer:
Ane Christensen
Production Manager:
Lynn Andrews
Property Master:
Santiago Guzmán
Script Supervisor:
Amanda Foote
Second Assistant Camera:
Ben Price
Second Assistant Director:
Andrea Dunne
Set Decoration:
Joann Greenly
Sound Editor:
Paul Steffler
Paul Steffler
Sound Mixer:
Harvey Hyslop
Scott Yates
Sound Re-Recording Mixer:
Harvey Hyslop
Still Photographer:
Greg Locke
Third Assistant Director:
Rachel Deal
Writer:
Wanda Nolan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.