A work in constant progress (and occasional regress).
Release Date:
September 27, 2023
Original Title:
Si pogués sostenir-me com ho fan els arbres
Alternate Titles:
If I Could Bear Myself Like Trees Do
Si pudiese sostenerme como lo hacen los árboles
Genres:
Drama
Production Companies:
The Arri Group
Universitat Pompeu Fabra
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 7
This is a mother who lives inadapted to a world of rigid structures: those of the system, those of the family, those of women. With neither direction nor ownership of the spaces she inhabits, on impulse she decides to abandon her children and enter the forest. In this place giant trees, waving hands and the unknown quantity of some sheets emerge that will guide her at all times. Appearing out of the atmosphere, women dressed in white will accompany her as she mourns her motherhood.
Art Direction:
Carla Gutiérrez
Assistant Art Director:
Berta Valera
Gaia Joustra
Assistant Camera:
Clàudia Caparrós
Marina Santos
Assistant Director:
Paula Vélez
Ariadna Caldentey
Camera Operator:
Patricia Durán
Marina Santos
Ilènia Majó
Casting Director:
Alba Arcalís
Natalia León
Pol Serra
Cinematography:
Marta Del Hoyo
Alba Riveiro
Color Grading:
Alba Riveiro
Nerea Sánchez
Director:
Ainhoa Díaz Porto
Laura Valenzuela Montero
Driver:
Maria Bosch
Editor:
Clàudia Caparrós
Nerea Sánchez
Electrician:
Nerea Sánchez
Focus Puller:
Patricia Durán
Ilènia Majó
Graphic Designer:
Laura Valenzuela Montero
Makeup & Hair:
Carla Gutiérrez
Gaia Joustra
Berta Valera
Music:
Ariadna Caldentey
Producer:
Pol Serra
Alba Arcalís
Natalia León
Carla Gutiérrez
Production Sound Mixer:
Alba Gómez
Khushi Espelt
María Guerrero
Script:
María Guerrero
Alba Gómez
Khushi Espelt
Sound Post Production Coordinator:
Ariadna Caldentey
Wardrobe Supervisor:
Berta Valera
Gaia Joustra
Carla Gutiérrez
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.