A work in constant progress (and occasional regress).
Release Date:
September 27, 2022
Original Title:
Lost Races: Bordeaux To Paris
Genres:
Documentary
Production Companies:
GCN+
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 58
Bordeaux-Paris was the best bike race you’ve never heard of: a midnight start, 550km-long, and ridden behind motorised ‘dernys’, with winners including Jacques Anquetil and Tom Simpson. More than thirty years since Bordeaux-Paris was last raced, pro cyclists Mitch Docker and Sam Bewley are aiming to recreate the infamous 1965 edition. How will they fare at the ‘Derby of the Road’?
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Associate Producer:
Mia Walter
Camera Operator:
Lewis Rhodes
Tito Capovilla
Director:
Harry Dowdney
Editor:
Sam Mitchell
Executive Producer:
Simon Wear
Post Producer:
Megan Gunning
Producer:
Emma Rimmer
Mike Rees
Simon Richardson
Production Coordinator:
Kathy Stringer
Production Manager:
Claire Jackson
Researcher:
Kathy Stringer
Writer:
Harry Dowdney
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.