A work in constant progress (and occasional regress).
Release Date:
July 18, 1997
Original Title:
Nothing to Lose
Alternate Titles:
Nada que perder
Nic do stracenia
Niente da perdere
Rien à perdre
Нечего терять
Genres:
Action | Adventure | Comedy | Crime
Production Companies:
O Entertainment
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: U DE: 12 FR: U GB: 15 PT: 12 US: R
Runtime: 97
Advertising executive Nick Beame learns that his wife is sleeping with his employer. In a state of despair, he encounters a bumbling thief whose attempted carjacking goes awry when Nick takes him on an involuntary joyride. Soon the betrayed businessman and the incompetent crook strike up a partnership and develop a robbery-revenge scheme. But it turns out that some other criminals in the area don't appreciate the competition.
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ADR Editor:
Petra Bach
ADR Mixer:
Paul Zydel
Dean St. John
Art Direction:
James J. Murakami
Kevin Constant
Assistant Editor:
Jeff Etcher
Assistant Location Manager:
Douglas Dresser
Associate Producer:
Robert Lawrence
Michael Klawitter
Casting:
Gretchen Rennell
Chief Lighting Technician:
Bobby Vercruse
Costume Design:
Elsa Zamparelli
Craft Service:
Clark 'Cajun' Davis
Dialogue Editor:
Gaston Biraben
Digital Effects Supervisor:
Ray McIntyre Jr.
Director:
Steve Oedekerk
Director of Photography:
Donald E. Thorin
Dolly Grip:
Antonio V. Garrido
William D. Wynn
Brad Rea
Editor:
Malcolm Campbell
Executive Producer:
Louis A. Stroller
Extras Casting:
Rodney Epps
First Assistant Accountant:
Dana Reaves Bolla
First Assistant Director:
John H. Radulovic
First Assistant Editor:
James A. Brewer
First Assistant Sound Editor:
Randall Guth
Foley Artist:
Dan O'Connell
John T. Cucci
Foley Editor:
Robert Fitzgerald
Foley Mixer:
David W. Alstadter
Foley Recordist:
Linda Lew
Grip:
Hugh McCallum
Paul Goodstein
Bill Summers
Hairstylist:
Elaina P. Schulman
Key Costumer:
Hope Slepak
Key Grip:
David L. Merrill
Location Manager:
Michael Haro
Makeup Artist:
Larry Abbott
Music:
Robert Folk
Music Editor:
J.J. George
Music Supervisor:
Kathy Nelson
Jeff Carson
On Set Dresser:
Jennine Rimer
Payroll Accountant:
Jerry Legget
Producer:
Martin Bregman
Dan Jinks
Michael Bregman
Production Design:
Maria Caso
Property Master:
Sean Mannion
Rigging Grip:
Jeff Kluttz
Script Supervisor:
Dawn Gilliam
Second Assistant Director:
J.J. Linsalata
Second Second Assistant Director:
Michael J. Moore
Second Unit Director:
Mic Rodgers
Manny Perry
Second Unit Director of Photography:
Michael Gershman
Second Unit First Assistant Director:
Timothy J. Lonsdale
Set Decoration:
Cloudia Rebar
Set Designer:
Sig Tingloff
Sound Re-Recording Mixer:
Gregg Landaker
Steve Maslow
Special Effects Assistant:
Frankie Inez
Special Effects Coordinator:
Josh Hakian
Special Effects Supervisor:
Michael Del Genio
Standby Painter:
Sharleen Bright
Still Photographer:
Bob Marshak
Stunt Coordinator:
Manny Perry
Stunts:
Tim A. Davison
Stan Lee Rice
Shane Dixon
John C. Meier
Chino Binamo
Anthony T. Pennello
Roger Wells
Jeff Imada
Frank Orsatti
Chuck Picerni Jr.
Todd Bryant
Hollis Hill
Bennie Moore
Supervising Sound Editor:
Michael Hilkene
Title Designer:
Susan Bradley
Transportation Captain:
Jim Frear
Transportation Coordinator:
Greg Van Dyke
Unit Production Manager:
Allan Wertheim
Sharon Mann
Unit Publicist:
Toni Atterbury
Writer:
Steve Oedekerk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.